Abstract:This essay reads Max Ritvo’s poetry through a chronology of precision biomedicine: imaging, diagnosis, and treatment. Ritvo’s construction of a patient-consumer avatar in his poetry reflects his position at a biomedical frontier, while poetic form becomes a way of retrieving bodies from a logic of substitution and surrogacy. A body lying under the weight of relentless, and relentlessly variable, imaging is catapulted through memory to a place by the sea in “The Curve.” In “Poem to My Litter,” the speaker addre… Show more
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