Abstract:This essay presents a new interpretation of the poetry and significance of Mary Barnard (1909-2001) through an exploration of the relationship between region and poetic technique. One of the first to articulate the "little known landscape" of the northwest in American poetry, Barnard's mid-century poetics can be seen as an attempt to refine and forward the Imagist project in order to create what she called a "spare but musical" style focused, like the work of her friend William Carlos Williams, on her experien… Show more
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