Majority Cultures and the Everyday Politics of Ethnic Difference 2008
DOI: 10.1057/9780230582644_8
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Marginal Majority and Dishevelled Otherness: Debating Gypsyness on the Greek-Albanian Border

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“…Faced with the emotional calls and possibilities for identification that arise from Gypsies' particular affinities, commonalities and predicaments, Gypsy 'difference' sets about the demand for a closer examination of the very space through which Gypsies become simultaneously both the 'same' and 'different'. And as I have argued elsewhere (Theodosiou, 2004(Theodosiou, , 2008, the key for understanding such a difference in the Parakalamos case can be found in the overlapping notions of locatedness and belonging. Such an emphasis allows us to briefly expose two crucial parts of the Gypsy world: their identification and emotional attachment with place and music that are strongly related with the historical construction of Parakalamos as a 'doubly occupied place' -an element explored above.…”
Section: On Gypsy 'Be-longing'mentioning
confidence: 92%
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“…Faced with the emotional calls and possibilities for identification that arise from Gypsies' particular affinities, commonalities and predicaments, Gypsy 'difference' sets about the demand for a closer examination of the very space through which Gypsies become simultaneously both the 'same' and 'different'. And as I have argued elsewhere (Theodosiou, 2004(Theodosiou, , 2008, the key for understanding such a difference in the Parakalamos case can be found in the overlapping notions of locatedness and belonging. Such an emphasis allows us to briefly expose two crucial parts of the Gypsy world: their identification and emotional attachment with place and music that are strongly related with the historical construction of Parakalamos as a 'doubly occupied place' -an element explored above.…”
Section: On Gypsy 'Be-longing'mentioning
confidence: 92%
“…The oscillation between two contradictory, but crucial, threads of Gypsies' 'be-longing' -home and musicianship, otherness and sameness (e.g. Theodosiou, 2004Theodosiou, , 2007Theodosiou, , 2008) -is best explicated through their musical performances; those are citational and repetitive practices, culturally and socially specific, deeply embodied, simultaneously individual and collective, conveying connections and interrelations between people, places and music. It is through them and in them, to borrow Sarah Ahmed's (2004) insight, that 'free floating emotions' -the intensity and intimacy of shared affect -come to be attached to particular relations/'objects'.…”
Section: On Gypsy 'Be-longing'mentioning
confidence: 99%
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