2015
DOI: 10.4102/jef.v8i2.107
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Mapping the relationship between the primary and the secondary art market

Abstract: The article endeavours to construct a model that links the gap between returns to an investment in ‘Fine Art’ and the ‘real’ price of the 'Fine Art' being traded. Thus the process used in creating shared value within the market for 'Fine Art' is examined. Art prices are usually set in the primary market through the auction process, which should also typically reflect an efficient way of creating shared value. As the auction process in the primary art market is not efficient; it does not create shared value as … Show more

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Cited by 14 publications
(14 citation statements)
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“…From Figure 6, which considers trade in fine art in both USD (column 1) and EUR (column 2), the art market appears to be showing possible signs of forecasted market growth. This is in line with the findings by McAndrew (2012), Kraeussl and Weihenkamp (2012) and Baur and Els (2015) as to what happened previously in 2008 and 2012 and is now happening again in 2020.…”
Section: Introducing the Market For Fine Artsupporting
confidence: 92%
“…From Figure 6, which considers trade in fine art in both USD (column 1) and EUR (column 2), the art market appears to be showing possible signs of forecasted market growth. This is in line with the findings by McAndrew (2012), Kraeussl and Weihenkamp (2012) and Baur and Els (2015) as to what happened previously in 2008 and 2012 and is now happening again in 2020.…”
Section: Introducing the Market For Fine Artsupporting
confidence: 92%
“…In other words, higher returns are associated with higher risk that manifests itself in investor uncertainty and changing levels of volatility. Higher levels of uncertainty increase the 'value' of the information (Baur & Els 2015). Baur and Els (2015) show that as the demand for information increases, the cost associated with holding information by the institution begins to rise, forcing the information to move from the private (institution) into the public (market) domain.…”
Section: Expected Returnmentioning
confidence: 99%
“…Private information about the art market is unusually vast, even when extending this to the broader impact of foreign exchange and other capital markets. Yet the influence of private information could vary across the different markets (Baur & Els 2015). This process may add to the collective ability of private information, by expanding into expertise or knowledge-based networks.…”
Section: Applying Tobin To Highlight the Relationship Between Uncertainty And Risk Within The 'Fine Art' Marketmentioning
confidence: 99%
“…But once information moves into the public domain, the price may fall. In other words, the trader will typically buy on rumours and sell as the information becomes known (Baur & Els 2015).…”
mentioning
confidence: 99%