2008
DOI: 10.1080/10137548.2008.9687884
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“Mama Africa”: HIV/AIDS and national identity in South African choreography

Abstract: MAMA AFRICA

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(1 citation statement)
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“…The choreographic works discussed therein aim to challenge static representations of gender, race, sexuality, and the stigmatization associated with HIV/AIDS. Through dance, the article ultimately explores the cultural and societal beliefs attached to body fluids, transmission, and the broader implications of HIV/AIDS in the South African societal fabric [20]. In yet another attempt to address the conceptualization and measurement of HIV stigma mechanisms, two researchers introduced the HIV Stigma Framework as a way of comprehending how the social devaluation of HIV impacts both uninfected and infected individuals.…”
Section: Articles Stigmamentioning
confidence: 99%
“…The choreographic works discussed therein aim to challenge static representations of gender, race, sexuality, and the stigmatization associated with HIV/AIDS. Through dance, the article ultimately explores the cultural and societal beliefs attached to body fluids, transmission, and the broader implications of HIV/AIDS in the South African societal fabric [20]. In yet another attempt to address the conceptualization and measurement of HIV stigma mechanisms, two researchers introduced the HIV Stigma Framework as a way of comprehending how the social devaluation of HIV impacts both uninfected and infected individuals.…”
Section: Articles Stigmamentioning
confidence: 99%