Maliwawa figures—a previously undescribed Arnhem Land rock art style

Taçon, Paul S.C.; May, Sally K.; Lamilami, Ronald; McKeague, Fiona; Johnston, Iain G.; Jalandoni, Andrea; Wesley, Daryl; Sanz, Inés Domingo; Brady, Liam M.; Wright, Duncan; Goldhahn, Joakim

doi:10.1080/03122417.2020.1818361

Cited by 24 publications

(19 citation statements)

References 25 publications

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“…Finch et al 2020Finch et al , 2021, include a diversity of Holocene styles (e.g. McDonald 2017;Taçon et al 2020), and hold contemporary Indigenous significance (e.g. Taçon 2019).…”

Section: Terra Australis 55mentioning

confidence: 99%

Introduction

Taçon¹,

May²,

Frederick³

et al. 2022

Histories of Australian Rock Art Research

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“…Finch et al 2020Finch et al , 2021, include a diversity of Holocene styles (e.g. McDonald 2017;Taçon et al 2020), and hold contemporary Indigenous significance (e.g. Taçon 2019).…”

Section: Terra Australis 55mentioning

confidence: 99%

Introduction

Taçon¹,

May²,

Frederick³

et al. 2022

Histories of Australian Rock Art Research

Self Cite

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“…In the training process of this network, the generator and discriminator gambling with each other, the network converges after reaching a dynamic equilibrium [21]. e structure of the network's double loop and consistent constraint inputs the two types of images in the data set into the network at the same time to complete the style transfer process.…”

Section: Database Constructionmentioning

confidence: 99%

Character Creation Model and Analysis of Figure Painting Fused with Texture Synthesis Style Transfer Algorithm

Sun

2022

Scientific Programming

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Texture fusion is the process of applying the style of one style image to another content image. It is an artistic creation and image editing technology. In recent years, the rapid development of deep learning has injected new power into the field of computer vision, and a large number of image style transfer algorithms based on deep learning have been proposed. At the same time, some current character conversion algorithms based on unsupervised learning also face the loss of the content and structure of the generated characters, and at the same time, they have not learned a good face deformation effect, resulting in poor image generation effects. This paper studies the relevant research background and research significance of image style transfer methods and summarizes them in the time sequence of their development; summarizes the style transfer algorithms based on deep learning, and analyzes the advantages and disadvantages of each type of algorithm. Based on the fast style transfer algorithm, this method adds a saliency detection network and designs a saliency loss function. In the training process, the difference between the saliency map of the generated image and the content image is additionally calculated, and the saliency loss is used as a part of the total loss for iterative training. Experiments show that the stylized image generated by this algorithm can better retain the salient area of the content image and has a good visual effect. Compared with the original network, the amount of parameters of the attention mechanism is very small, and there is almost no additional burden.

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“…Arnhem Land is home to arguably the world's longest continuing artistic traditions so it is little wonder Aboriginal artists depicted these new events across the rock shelters on their lands (e.g. Chaloupka 1993;David et al 2017;Taçon et al 2020). Our surveys in the Wellington Range have revealed this region to be prolifically painted and the contact rock art tells us that the area continued to be regularly visited until around the 1960s, with irregular visitation ever since (May et al 2010(May et al , 2013aTaçon et al 2010).…”

Section: Evidence In the Rock Artmentioning

confidence: 99%

The missing Macassans: Indigenous sovereignty, rock art and the archaeology of absence

May

Wesley

Goldhahn

et al. 2021

Australian Archaeology

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The contact period rock art of northern Australia provides unprecedented insights into Aboriginal cross-cultural experiences during the last few hundred years. Northwest Arnhem Land, Australia, has an extensive rock art assemblage and a complicated history of interactions between Aboriginal communities and island South East Asians (Macassans), colonists, explorers, missionaries, buffalo shooters, and more. This contact period rock art offers a unique opportunity to explore a variety of questions relating to cross-cultural interactions and artistic responses to new people, objects and ideas. In this paper we argue that a dichotomy exists in the number of European and south-east Asian themed rock art motifs. We suggest that there is an underlying theme in the proliferation of European related imagery relating to threats to Indigenous sovereignty. Our findings suggest that rock art illustrates the Aboriginal community's responses to both groups and their experience of the existential threat posed by European intruders. The apparent lack of rock art relating to south-east Asian interactions, although perplexing, may in fact provide circumstantial evidence for a very different type of interaction between some northern Australian and southeast Asian communities.

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Maliwawa figures—a previously undescribed Arnhem Land rock art style

Cited by 24 publications

References 25 publications

Introduction

Introduction

Character Creation Model and Analysis of Figure Painting Fused with Texture Synthesis Style Transfer Algorithm

The missing Macassans: Indigenous sovereignty, rock art and the archaeology of absence

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