Abstract:Postcolonial studies literature considered Neapolitan social centres as spaces of hybridization of music styles from the global South, observing their deconstructing potential against racist discourse. More recent cultural production in Naples shows elements of continuity and innovation: organizing self-managed music festivals and mixing-up Latin American rhythms and sound system culture with folk music, Neapolitan social movements keep re-elaborating music genres of different Souths. The result is an original… Show more
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