Making Known Again: The Rhetorical Function of Anagnorisis in Georges Perec's La disparition
Hervé Picherit,
Jason C. Thompson
Abstract:This article proposes that the main trope of Georges Perec's novel, La disparition (1969), is anagnorisis, or a scene of literary recognition. Though Perec borrows a classical trope described by Aristotle, his novel stands out in that it is not a character that the reader must recognize but an unexpected and unannounced void, namely, the absence of the letter E from the entire text. Framing this exercise in literary constraint as a modernist mystery novel, Perec aligns the stakes of noticing, or not noticing, … Show more
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