2012
DOI: 10.1080/08905495.2012.738083
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Making Beautiful Money: Currency Connoisseurship in the Nineteenth-Century United States

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“…It was in such a context that per Conway (2012), "neither colorless nor immaterial, the monies of the free-banking U.S. were routinely scoured by suspicious eyes hoping to find some physical evidence or bright sign that could better authenticate their worth" (431). The disjunctive monetary topography of this era occasioned the usage of a now largely forgotten genre of texts known as "Bank Note Reporters" (or "Counterfeit Detectors"; see Dillistin, 1949) to both stabilize the rate of conversion from one local note to another and to sort out the wheat from the chaff.…”
Section: "We Do Not Scrutinize the Notes Themselves"mentioning
confidence: 99%
“…It was in such a context that per Conway (2012), "neither colorless nor immaterial, the monies of the free-banking U.S. were routinely scoured by suspicious eyes hoping to find some physical evidence or bright sign that could better authenticate their worth" (431). The disjunctive monetary topography of this era occasioned the usage of a now largely forgotten genre of texts known as "Bank Note Reporters" (or "Counterfeit Detectors"; see Dillistin, 1949) to both stabilize the rate of conversion from one local note to another and to sort out the wheat from the chaff.…”
Section: "We Do Not Scrutinize the Notes Themselves"mentioning
confidence: 99%