“…One shift involves the rise of global gay subjects, which Benedicto argues has led to an ongoing disappearance of the bakla (2014). In his study gay globality in urban Manila, Benedicto writes about “the classed and feminized figure of the bakla —a local sexual formation often read as a conflation of homosexuality, transvestism, and lower class status—as an outsider within, a specter linked to the past…” (2014: 11). Benedicto then describes how the “bright lights scene,” or the spaces of gay globality characterized by incorporation into politics, consumer markets, and mainstream gay media representations, tries to “exorcise” the figure of the bakla , but that the bakla figure “keeps returning, not because it still exists as a tradition, but because the scene requires it, keeps it as a mirror that holds up an image of what gay life ‘was,’ what it might still be, and what it might become again if the scene stumbles on the march toward ‘modernity’ and fails to plug those lines of flight that steer it ‘backwards’” (2014: 11).…”