Mahatma Gandhi

Rolland, Romain

doi:10.4324/9780429287978

Cited by 5 publications

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“…Ünlü Fransız yazar, sanat tarihçisi Romain Rolland (1866Rolland ( -1944 Gandhi biyografisinde Tanrı'nın Egemenliği İçinizdedir'in Gandhi üzerindeki etkisini vurgular. Gandhi'nin ortaya koyduğu iradeye dikkat çekerek onun Tolstoy'a göre daha yumuşak, sevecen ve evrensel olduğunu dile getirerek bu iki isim arasındaki farkı, Tolstoy'un görüşlerindeki gerçekçiliğin Gandhi'nin Batı (Avrupa) karşıtlığı görüşlerinde gerçekleştiğini söyleyerek de benzerliği ortaya koyar (Rolland, 2022). Amerikalı yazar, akademisyen ve Gandhi araştırmacılarından biri olan Douglas Allen (1941-) ise Tolstoy'un Kitabı Mukaddes'i incelediğini, Dağdaki Vaaz'da İsa'nın öğretilerini örnek aldığını söyler.…”

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Sivil İtaatsizlik ve Pasif Direniş Bağlamında Tolstoy ve Gandhi

DANACI

2023

Uluslararası Dil Edebiyat Ve Kültür Araştırmaları Dergisi

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Bu çalışmada; Tolstoy ve Gandhi arasındaki etkileşimin arka planda kalmış detaylarının ortaya konması amaçlanmıştır. Bu amaç doğrultusunda, ilk olarak Thoreau, Gandhi ve Tolstoy’un sivil itaatsizlik hakkındaki görüşlerinden vicdan olgusu çerçevesinde bahsedilmiştir. Ardından literatürde işaret edilen Gandhi’nin etkilendiği Tolstoy eserlerinin haricindeki etkileşimlerinin ortaya koyması hedeflenmiştir. Bu nedenle, Tolstoyculuk, Satyagraha ve Tolstoy Çiftliği gibi iki ismin etkileşim içerisinde olabileceği düşünülen alanlar mektuplaşmaları, Indian Opinion ve Young India gazetelerindeki yazılar ve Gandhi’nin yaptığı Tolstoy’un doğumunun yüzüncü yıl konuşması temel alınarak incelenmiştir. Yapılan bu incelemeler sonucunda ise; her iki ismin ortak noktalarının en başta şiddetsizlik olmak üzere mülkiyet anlayışları ve kişilerarası sevgi ve yardımlaşma bağlamındaki görüşleri olabileceği ancak yönetim anlayışı konusundaki görüşlerinin farklılaşabileceği düşünülmüştür. Böylece Tolstoy ve Gandhi etkileşiminin literatürde bahsedildiği kadar kısıtlı olmayabileceği, pek çok alanda etkileşim içerisinde olabilecekleri sonucuna varılmıştır.

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Sivil İtaatsizlik ve Pasif Direniş Bağlamında Tolstoy ve Gandhi

DANACI

2023

Uluslararası Dil Edebiyat Ve Kültür Araştırmaları Dergisi

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“…Non abbiamo trovato al Vittoriale opere di Rolland posteriori alla guerra'' (Tosi, 1963: 519). Tosi is mistaken: not only is there a copy of Rolland's Mahatma Gandhi (1924) at the Vittoriale, but it bears a dedication to D'Annunzio in Rolland's own hand. The book shows many emphatic underlinings and marks made by D'Annunzio, indicating a close reading by the Abruzzese poet, who seemed to find correspondences with many of his own ideas.…”

Section: ''Il Fascino Delli Uomini E Delle Cose Orientali''mentioning

confidence: 99%

“…The book shows many emphatic underlinings and marks made by D’Annunzio, indicating a close reading by the Abruzzese poet, who seemed to find correspondences with many of his own ideas. D’Annunzio underlined, for example, the passage which speaks of the kinship of all living things, as epitomized in the Hindu reverence for the cow, which brings one to “réalise l’identité de l’homme avec tout ce qui vit”, and transports one “au-dela des limites de son espèce” (Rolland, 1924: 38). This concept was also embraced by D’Annunzio, who, especially in the poetry collection Maia , often voices the sensation of expanding beyond the boundaries of the human species.…”

Section: “Il Fascino Delli Uomini E Delle Cose Orientali”mentioning

confidence: 99%

Hinduism and the mystical aestheticism of Gabriele D’Annunzio: “Una sensualità rapita fuor de’ sensi”

Turoff

2017

Forum Italicum

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D’Annunzio’s cult of Beauty—his attention to, and interest in, all things beautiful—is well known and has been widely discussed. Yet, the nature of the spirituality which infuses this aestheticism has not been adequately explored due to (mis)interpretations or even an outright rejection of D’Annunzio’s religiosity. In discussing the relationship between Hinduism and D’Annunzio, this article reveals the relevance of Hinduism’s aesthetics to D’Annunzio’s, primarily in the shared concept of the artist’s ability—through his or her heightened senses—to perceive the union of the self with the universal soul, or to experience what D’Annunzio calls “una sensualità rapita fuor de’ sensi”. While placing D’Annunzio in the cultural environment of Orientalism, and noting that he accessed Hindu ideas not only through secondary sources such as Schopenhauer, Romain Rolland, and Angelo Conti, but also through his reading of Orientalist scholars and primary sources (translated into French or Italian), this article demonstrates that in Hindu thought, D’Annunzio found support for, and confirmation of, his own mystic aestheticism.

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“…Early accounts of Gandhi are understandably hagiographic as they were written by his friends or supporters, such as the Reverend Doke (), Polak (), and the French spiritualist, and art critic Rolland (). Such works are gushing in their praise of Gandhi.…”

Section: Writing the South African Gandhi: The Historiographymentioning

confidence: 99%

The Past in the Present: Writing the South African Gandhi

Vahed¹

2017

Journal of Labor and Society

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The standard narrative of Mohandas K. Gandhi's years in South Africa, from 1893 to 1914, suggests that his path to freedom fighter and political leader was set in motion when he was thrown off a train at the Pietermaritzburg station shortly after his arrival in Natal. As a political leader in South Africa, Gandhi developed his unique method of political resistance, Satyagraha, which he used to challenge successive white minority regimes and returned to India as a Mahatma to free his country from British rule. As South Africa achieved non‐racial democracy, Gandhi transformed from a symbol of India's freedom struggle to a heroic South African liberation leader as well. In 2016, Ashwin Desai and I published a critical history of Gandhi's years in South Africa that did not take for granted the idea of the Mahatma as a “great man” but examined him as a discursively produced leader. The book created a political storm, caught as it was between rising black African nationalism and Indian ethnic chauvinism in South Africa. While a critical response was expected, the severity of the backlash, mainly from the general public, came as a surprise. This article analyses the reaction to the book, seeks to understand why the criticism of this icon received such a hostile reaction, and reflects on the personal consequences of venturing into the public domain with the book.

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Mahatma Gandhi

Cited by 5 publications

References 0 publications

Sivil İtaatsizlik ve Pasif Direniş Bağlamında Tolstoy ve Gandhi

Sivil İtaatsizlik ve Pasif Direniş Bağlamında Tolstoy ve Gandhi

Hinduism and the mystical aestheticism of Gabriele D’Annunzio: “Una sensualità rapita fuor de’ sensi”

The Past in the Present: Writing the South African Gandhi

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