Macbeth (review)

‘My Flesh Be Hacked’: Corporeal Conflation in Alan Cumming’s one-man Macbeth

“…18 One reporter notes: "The lighting sources from various angles on the floor also created a visual representation of his split personality: sometimes we could see the actor's multiple shadows projected on the back wall". 19 Macbeth's production design emphasizes the idea that a single player can contain numerous selves. This concept is most evident in the production's realization of the three witches, who are represented via three CCTV cameras.…”

“…28 Macbeth has a visceral experience of guilt; he feels the "his secret murders sticking on his hands" (Macbeth, 5.2. [19][20]. Lady Macbeth is no different.…”