Contemporary Hollywood Masculinities 2011
DOI: 10.1057/9781137016218_9
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Lovers: Men, Women, and Gender Equality

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“…This broadly reverses the troubled or sinister treatment of working‐class people seen in New Hollywood productions of the previous era (Jameson 1977). But it supports expectations of an instrumentalized working class deployed as white, male “hard bodies” in contemporary action films (Kord and Krimmer 2016; Kraszewski 2019). Thus although we see them regularly, working people mostly have partial, subordinate agency and are depicted through a distorted race‐gender lens.…”
Section: Resultssupporting
confidence: 64%
“…This broadly reverses the troubled or sinister treatment of working‐class people seen in New Hollywood productions of the previous era (Jameson 1977). But it supports expectations of an instrumentalized working class deployed as white, male “hard bodies” in contemporary action films (Kord and Krimmer 2016; Kraszewski 2019). Thus although we see them regularly, working people mostly have partial, subordinate agency and are depicted through a distorted race‐gender lens.…”
Section: Resultssupporting
confidence: 64%