2021
DOI: 10.1080/17475759.2021.1935300
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Love My House, Love My BirdAn Intercultural Communication Perspective on Chinese Fansub Practices

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Cited by 5 publications
(2 citation statements)
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“…Fansubbing groups have been welcomed by Chinese audiences since 2005, when they introduced Prison Break to Chinese audiences (Yao, 2021). This phenomenon has been studied in a number of ways, including studies that focused on the impact of fansubbing (e.g., Gao, 2012), as well as studies that examined the originality and authenticity of fansubbing (e.g., Guo & Evans, 2020;Wang & Zhang, 2017).…”
Section: Introductionmentioning
confidence: 99%
“…Fansubbing groups have been welcomed by Chinese audiences since 2005, when they introduced Prison Break to Chinese audiences (Yao, 2021). This phenomenon has been studied in a number of ways, including studies that focused on the impact of fansubbing (e.g., Gao, 2012), as well as studies that examined the originality and authenticity of fansubbing (e.g., Guo & Evans, 2020;Wang & Zhang, 2017).…”
Section: Introductionmentioning
confidence: 99%
“…Nos interesa especialmente, del ámbito de YouTube, la interpelación que se da entre el youtuber y el seguidor, aspecto tratado en estudios que narran la colaboración de todos los implicados en el relato narrativo transmedia (Scolari, 2016) y el hecho de que este sea un elemento crucial para el afianzamiento de un canal como referencia (Korres Alonso & Elexpuru-Albizuri, 2022). Para ello, se hace preciso un acercamiento a la netnografía, entendida como uno de los mejores medios para conocer lo que sucede en los entornos virtuales (Turpo Gebera, 2008), la cual, además, se ha desarrollado previamente en el estudio del comportamiento de grupos de seguidores (Yao, 2021).…”
Section: Introducción 11 Interacciones En Youtube: Mirada Desde La Ne...unclassified