Love and Friendship Across Cultures 2021
DOI: 10.1007/978-981-33-4834-9_9
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Love as an Act of Resistance: bell hooks on Love

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Cited by 8 publications
(3 citation statements)
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“…This has the potential to lift precious participants out of isolation and anger into compassion and mystery. This ultimately achieves that which we as artists and educators strive for: pedagogical love, as bell hooks so eloquently professed (Biana, 2021), for self and other.…”
Section: Artists In Reflexive Inquirymentioning
confidence: 84%
“…This has the potential to lift precious participants out of isolation and anger into compassion and mystery. This ultimately achieves that which we as artists and educators strive for: pedagogical love, as bell hooks so eloquently professed (Biana, 2021), for self and other.…”
Section: Artists In Reflexive Inquirymentioning
confidence: 84%
“…Love involves a disposition toward desiring the good for another person for their own sake, which often translates into attitudes and actions aimed at this end (e.g., approaching others with acceptance, providing support). Love empowers individuals to prioritize the needs of others and make sacrifices for their benefit [30]. Similarly, kindness includes facets such as generosity, nurturance, care, and compassion [21].…”
Section: Love and Kindnessmentioning
confidence: 99%
“…This paper intends to show that bell hooks' theories have a structured method for a critical discourse analysis (CDA). While some have sought to study hooks' works through critical perspectives and historical tracings (see Biana, 2020bBiana, , 2021Davidson & Yancy, 2009), and others have used hooks' theories to generally examine cultural texts (Ahmadgoli & Raoof, 2020;Biana & Nalam, 2020;Liu, 2019), this paper does a close reading of hooks' writings to organize and make sense of her cultural criticism frameworks within the approach of CDA work. The goal of this undertaking is to form a more cohesive "hooksian" cultural criticism framework, which may be used by scholars and critics who intend to interrogate gender and other intersectional representations in various media.…”
Section: Introductionmentioning
confidence: 99%