Abstract:This proposed theology of death for Michael Haneke's Amour, a fraught but poignant piece of cinema, will employ Martin Heidegger's existentialism to reframe the ethical structure of the film and apply a "lived theology" rejoinder to its perceived hopelessness. The proposal will address the question of ethics in relation to Haneke's cinema, in particular his seemingly nihilistic perspective and confrontational style. To do so, it will revisit the film itself and examine the ways that Georges and Anne's love is … Show more
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