Lord Byron: The Complete Poetical Works, Vol. 1 1980
DOI: 10.1093/actrade/9780198118909.book.1
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Lord Byron: The Complete Poetical Works, Vol. 1

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Cited by 178 publications
(17 citation statements)
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“…Crompton suggests that Byron’s poem Childe Harold’s Pilgrimage , composed in part during his Albanian stay, showed that ‘he had been meditating on English severity at the same time he was observing Albanian manners’ (Crompton, 1985: 139). Two lines of the poem, deleted before publication, described the ‘shameless torch of wild desire … lit’ for Ali Pasha’s ‘boyish minions of unhallowed love’ (Byron, 1980b: 63).…”
Section: Ephebophiliamentioning
confidence: 99%
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“…Crompton suggests that Byron’s poem Childe Harold’s Pilgrimage , composed in part during his Albanian stay, showed that ‘he had been meditating on English severity at the same time he was observing Albanian manners’ (Crompton, 1985: 139). Two lines of the poem, deleted before publication, described the ‘shameless torch of wild desire … lit’ for Ali Pasha’s ‘boyish minions of unhallowed love’ (Byron, 1980b: 63).…”
Section: Ephebophiliamentioning
confidence: 99%
“…Since Byron seems not to have been attracted to pre-pubescent boys, the more accurate term would be ephebophilia: sexual desire for post-pubescent males whose secondary sexual characteristics are not yet fully developed (youths ‘slight and slim, / Blushing and beardless’ (Byron, 1986: 47)). ‘When boyish blood is mantling, who can ‘scape / The fascination of thy magic gaze?’, he asked (Byron, 1980b: 33), and rhapsodized, ‘sweeter … than all / Is first and passionate love’ (Byron, 1986: 49). The three males whom Byron loved most or had the strongest sexual attachments to – John Edlestone, Nicolas Giraud and Lukas Chalandrutsanos – were all 15 when the attachments began (Crompton, 1985: 237–8).…”
Section: Ephebophiliamentioning
confidence: 99%
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