Abstract:Scholarly approaches to Milton's interest in drama have missed how theater represents for Milton the ethical challenge of negotiating poetic identity with a reading and viewing public. This article locates Milton's Lady within complementary discursive contexts that efface female agency through either virulent anti-feminism associated with theater or dualistic idealizations that elevate the soul while denigrating the agential body. The Maske 's staging of an emergent woman imperiled by the visual and discursive… Show more
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