2019
DOI: 10.1177/1532708619838582
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“Look! A Black Ethnographer!”: Fanon, Performance, and Critical Ethnography

Abstract: This article engages the possibility of a critical Black ethnography and a performative fugitivity. Drawing on the author’s ethnographic research, it examines the tension between being a racialized and gendered person and becoming an ethnographic self. This tension rises when critical Black ethnographers are visually rendered outside the domain of the ethnographer, a category forged against the template of Western White male subjects. Instead, they are interchangeable with the populations they perform research… Show more

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Cited by 7 publications
(6 citation statements)
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“…Throughout the data collection process, particular consideration was given to the tensions between being a Black male and an ethnographer researching Black people (Henson, 2020). Given that the research project examined how Black bodies were visually rendered, I needed to confront my visibility within the research setting.…”
Section: Methodsmentioning
confidence: 99%
“…Throughout the data collection process, particular consideration was given to the tensions between being a Black male and an ethnographer researching Black people (Henson, 2020). Given that the research project examined how Black bodies were visually rendered, I needed to confront my visibility within the research setting.…”
Section: Methodsmentioning
confidence: 99%
“…Moreover, these women accepted and embraced ageing and, in hindsight, saw that through their lived experiences, what truly mattered was living a healthy, balanced life My second research question brought forth adaptation and resistance strategies of four Caribbean/West Indian women that affirmed western views of ageing could be interrogated, disrupted, challenged, and changed. Through the re-storying of these women's lived experiences, they asserted that older women could be emancipated from the confines of dominant western narratives and constructs of ageing, and beauty ideals (Henson, 2020;McKenzie-Mohr & LaFrance, 2017). Moreover, they have provided the steps taken to attain liberation.…”
Section: Research Questionsmentioning
confidence: 99%
“…We are given the opportunity to listen to, reflect on and contextualize Black people's feelings when confronted with racial violence perpetrated by white people who understand their discriminatory actions as “normal” albeit in a racist society. As an ethnographic activist Johnson captured human subjectivity and the people's “own story” through “the life‐history,” brought together through what we now call reflexive ethnography (2019; Hunter 2018).…”
Section: Charles Spurgeon Johnson: “A Gifted Interpreter”mentioning
confidence: 99%
“…Gregory Thomas (1999) suggest that Frazier is writing the Black Bourgeoisie as a “participant observer.” The challenge Fraizer faced as a Black ethnographer is realized by Fanon in Black Skins , White Masks , through the statement: “Look, a negro!” (1952/1968:77). For Henson, Fanon saw himself as “an object of fear, derision and terror” (2019:329). Methodologically, the Black ethnographer is thus unable to present themselves as a white ethnographer (Zuberi and Bonilla‐Silva 2008).…”
Section: E Franklin Frazier: “Earthy Brusqueness!”mentioning
confidence: 99%
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