2017
DOI: 10.1242/jeb.148734
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Lombard effect onset times reveal the speed of vocal plasticity in a songbird

Abstract: There was an error published in J. Exp. Biol. 220, 1065-1071.Eqn 2 was displayed incorrectly. The correct equation appears below.We apologise to the authors and readers for any inconvenience this may have caused. ABSTRACTAnimals that use vocal signals to communicate often compensate for interference and masking from background noise by raising the amplitude of their vocalisations. This response has been termed the Lombard effect. However, despite more than a century of research, little is known how quickly an… Show more

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Cited by 13 publications
(10 citation statements)
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References 79 publications
(72 reference statements)
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“…20 μPa; measured with a Ro‐LINE SPL meter 1, using “A” weighting, at the typical position of the test bird, 20 cm from the loudspeaker). This is close to values reported in literature for canary song in laboratory conditions (Hardman et al., ).…”
Section: Methodssupporting
confidence: 92%
“…20 μPa; measured with a Ro‐LINE SPL meter 1, using “A” weighting, at the typical position of the test bird, 20 cm from the loudspeaker). This is close to values reported in literature for canary song in laboratory conditions (Hardman et al., ).…”
Section: Methodssupporting
confidence: 92%
“…Others have investigated the neural substrate underlying the effect (Nonaka et al 1997, Hage et al 2006, Eliades and Wang 2012. In echolocating bats and singing canaries Serinus canaria, the Lombard effect is triggered at least 30-320 milliseconds after noise onset (Hage et al 2013, Hardman et al 2017, Luo et al 2017a, which means that vocal amplitude can track noise levels more or less in real time.…”
Section: Introductionmentioning
confidence: 99%
“…During song competitions, male songbirds might take turns, i.e avoid overlap (Hultsch and Todt, 1982;Pika et al, 2018) or adjust their emissions to avoid jamming, e.g. by increasing the amplitude of the signal (Hardman et al, 2017), by using song types that differ from those of the competitor (Vehrencamp et al, 2014), or by shifting the pitch, the latter under laboratory conditions (Turner and Brainard, 2007). Jamming the rival male by simultaneous singing, is, however, difficult to estimate for third parties such as listening females.…”
Section: Socially-induced Plasticity Of Crystallized Songsmentioning
confidence: 99%