Local Visions of the Landscape: Participatory Photographic Survey of the World Heritage Site, the Rice Terraces of the Philippine Cordilleras

Kikuchi, Yoshito; Sasaki, Yoko; Yoshino, Hajime; Okahashi, Junko; Yoshida, Masahito; Inaba, Nobuko

doi:10.1080/01426397.2012.761189

Cited by 12 publications

(8 citation statements)

References 5 publications

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“…As such, it is an avenue yet to be fully explored. The majority of VEP studies in tourism use participants to capitalise on the insights of photographers as experts in their environments and experiences, be they hosts (Hueber, 2011;Brickell, 2012;Bennett and Dearden, 2013;Kikuchi et al, 2014;Wu and Pearce, 2014), guests (Ernawati and Moore, 2014;Fung and Jim, 2015;Cahyanto et al, 2016), tourism professionals (Schumann, 2015) or multiple user groups at the same destination (Balomenou and Garrod, 2014;Prestholdt and Nordbø, 2015;Hansen, 2016). The common ground is that, more often than not, these studies are conducted to gain insight into participants' own landscape preferences and experience of participants, captured by photographic images and interpreted by an accompanying complementary method.…”

Section: Using Pgis In Tourism Researchmentioning

confidence: 99%

Photographs in tourism research: Prejudice, power, performance and participant-generated images

2019

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Photography has often been considered tainted as a source of research data, even in tourism, its natural habitat. This situation is undoubtedly a legacy of the prejudice that many social scientists held toward the use of visual data when the academic study of tourism took off in the 1970s and 1980s. Tourism research has therefore persistently favoured textual data over visual data. This paper argues that the power of photography to prove and move can be harnessed to bridge this theoretical and practical cognitive gap. Issues relating to the performance of photography, including those of timing and intent, as well as the speed of information exchange, need however to be considered when designing and implementing research using photographic data. This implies a need to review the 'circle of representation' of tourism destination images, as well as to divide participant-generated image methods into two strands: found photographs and commissioned photographs.

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Section: Using Pgis In Tourism Researchmentioning

confidence: 99%

Photographs in tourism research: Prejudice, power, performance and participant-generated images

2019

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“…From the perspective of tourism product development, the biocultural attributes of cultural landscapes can be appreciated, including their uniqueness and naturalness (Kikuchi et al, 2014). Seeing the unique cultural landscape is an authentic experience.…”

Section: Potency Of Sustainable Tourism Development Based On Cultural...mentioning

confidence: 99%

Diversity of Cultural Landscape and Potency of Sustainable Tourism Development in Rural Area of Lombok Island, Indonesia

Rahayu,

Hakim,

Batoro

et al. 2023

Migrat. Lett.

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Interaction between humans, nature, and culture creates a cultural landscape that provides various benefits. The pressure and threat to the existence of the cultural landscape is getting higher. This study aims to identify and analyze the diversity of cultural landscapes and determine potency of sustainable tourism development based on cultural landscape in rural area of Lombok Island, Indonesia. The area inhabited by the Sasak tribe is a rural area with ditinctive pattern of spatial organization. Kinds of cultural landscapes observed in this research are ricefield (bangket), settlement (gubuk) and homegarden (leah), meadow (gumi pupak), garden (kebon), and forest (gawah) and sacred area (simbit). Research findings indicate that the cultural landscape of the Sasak tribe in rural of Lombok Island is the traditional settlements that are built and depend on the biodiversity and its environment. Sasak people in rural of Lombok Island still maintain the cultural traditions. Through their involvement in this area, Sasak people can carry out the preservation of their cultural landscape. The development of cultural landscape as sustainable tourism can play an important role in preserving regional cultural values as a national cultural asset, preserving plant diversity and landscape, and improving the welfare of local communities.

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“…New conceptualisations of the Historic Urban Landscape (UNESCO, 2011) stress the unbounded, permeable nature of heritage places (Buckley, Cooke & Fayad, 2016), which are both locally and globally constituted through movements of people, ideas, materials and capital (Castells, 2010). The affective turn in heritage and museum studies (Waterton & Watson, 2013b) has focused attention on the multisensory engagement with heritage places and the idea that heritage can be 'felt' (Crang & Toila-Kelly, 2010) and which can form particular 'landscapes of attachment' (Kikuchi et al, 2014). Conversely, a focus on heritage mobilities raises the issue of how movement between places through 'footprints' (Amin & Thrift, 2002) is redolent of a refocusing from individual heritage sites to landscapes (Hayden 1995), through which sites are viewed in dialogue, are mutually constitutive, and where the movement between places is part of the attachment to place.…”

Section: )mentioning

confidence: 99%

The Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites

Lewi¹,

Smith²,

Lehn³

et al. 2019

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Introduction: Urban Heritage and the 'Everyday' Community-driven involvement in heritage practice has been advocated through a number of key texts and case studies, chronicling not only its successes, but also the pitfalls and limitations of grassroots participation (Crooke, 2007;Logan, 2016;Selman, 2007; Waterton & Watson, 2013a). However, according to Beilin (2005), participatory approaches provide a way of recognising the banality of the 'everyday' through which most social worlds are created and sustained:Critical theory affirms ordinary action and recognizes the effort involved in being an active citizen in the daily grind of participation. It emphasizes the centrality of everyday interpretation. It affirms the value in listening and attending to a grassroots perspective. (p. 59) This 'everyday' is constituted through engagement with place. There is a long history of research into the cultural production of meaningful places in a variety of disciplines such as cultural geography, archaeology, architecture and history, as well as those from within the cultural heritage discipline and professional practice (e.g., see Davis, 2011;Jive'n & Larkham, 2010;Relph, 1976). Further, new questions are being asked about the relationship between technical knowledge and historical and heritage expertise, and how social and popular media forms can be harnessed to identify new ways of engaging communities around heritage places and issues. Such engagement is cognitive, emotional and behavioural (Ponzetti, 2003in Smith, 2017 and multisensory (Crang & Toila-Kelly, 2010), which raises issues related to the ability of traditional 'talk-only' methodologies to understand the complexities of these engagements (Middleton, 2010). This chapter critically examines the use of visual research methodologies (VRM) to investigate the relationship between heritage digital technologies and 'sense of place'. It argues that despite technological and methodological problems, VRM are useful in examining the cognitive, emotional and behavioural encounters with ordinary heritage landscapes. Providing a more

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Local Visions of the Landscape: Participatory Photographic Survey of the World Heritage Site, the Rice Terraces of the Philippine Cordilleras

Cited by 12 publications

References 5 publications

Photographs in tourism research: Prejudice, power, performance and participant-generated images

Photographs in tourism research: Prejudice, power, performance and participant-generated images

Diversity of Cultural Landscape and Potency of Sustainable Tourism Development in Rural Area of Lombok Island, Indonesia

The Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites

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