Livius und der Leser

Pausch, Dennis

doi:10.4000/books.chbeck.1396

Cited by 23 publications

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“…Walsh 1961 (e.g. 162-163 on character emotions; 173-190 for reader emotions);Pauw 1991;Burck 1992; Conte 1994: 372-337;Feldherr 1998;Chaplin 2000;Tsitsiou- Chelidoni 2009; Levene 2010: 179-180;Pausch 2011Pausch , 2018Buijs 2018.…”

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confidence: 99%

Common Ground and the Presentation of Emotions: Fright and Horror in Livy’s Historiography

Gils¹,

Kroon²

2022

Emotions and Narrative in Ancient Literature and Beyond

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mentioning

confidence: 99%

Common Ground and the Presentation of Emotions: Fright and Horror in Livy’s Historiography

Gils¹,

Kroon²

2022

Emotions and Narrative in Ancient Literature and Beyond

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“…It is an unusually long character arc, spanning two decades, longer, even, than the one of Scipio Africanus (twenty-two books vs. nineteen). Other characters lived long and even longer lives, but the earlier books moved through years at such a rapid pace that the bi-14 See, e.g., Flower 1996 andPausch 2011. 15 On rebuilding the city, the closing lines of Book 5 and opening of 6, see Kraus 1994 ographical arc of even Cincinnatus, an octogenarian in his last dictatorship, is restricted to the first pentad.…”

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confidence: 99%

Num. 39 (n.s.) – Dicembre 2021 – Fasc. 2

2021

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Certificazione scientifica delle Opere pubblicate da Edizioni Ca' Foscari -Digital Publishing: tutti i saggi pubblicati hanno ottenuto il parere favorevole da parte di valutatori esperti della materia, attraverso un processo di revisione anonima sotto la responsabilità del Comitato scientifico della rivista. La valutazione è stata condotta in aderenza ai criteri scientifici ed editoriali di Edizioni Ca' Foscari. Scientific certification of the works published by Edizioni Ca' Foscari -Digital Publishing: all essays published in this volume have received a favourable opinion by subject-matter experts, through an anonymous peer review process under the responsibility of the Scientific Committee of the journal. The evaluations were conducted in adherence to the scientific and editorial criteria established by Edizioni Ca' Foscari.

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“…Ein älterer Kommentar vermerkt seinerzeit dazu noch lapidar: "Livy's naïve selection among the stories is somewhat amusing." 12 Für die ungewöhnliche Häufung von Varianten möchte ich aber, insbesondere im Horizont der bereits erwähnten "kopernikanischen Wende" 13 der Forschung, eine andere Deutung anbieten.…”

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Die fiktionale Markierung der Legende von Tarpeia bei Livius (1, 11, 5–9)

Müller

2014

Philologus

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In Livy's report, in Book 1 of his annals, of the mythical traitor Tarpeia, who, according to tradition, had betrayed the Romans to their enemies the Sabines out of lust for money and was then murdered by her accomplices, it is possible to interpret both the principal figure and her motives in an open way. With reference to the praefatio, it will here first be argued that the term fabula is important in this context and that a manuscript reading rejected by most modern editions should be retained. This makes it possible to interpret the discussion of story-variants, which is presented after this term, as a narrative functional instrument that causes the reader to doubt the veracity of the tradition about the criminal Tarpeia. In conclusion two further passages from the following chapter will be considered, which, through their semantic ambiguity, are well-suited to support the ambivalent character-drawing proposed here. Understood this way, the Tarpeia episode refers, through its narrative mode, to myth's lack of historical reliability, a theme already raised in the praefatio.

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Livius und der Leser

Cited by 23 publications

References 0 publications

Common Ground and the Presentation of Emotions: Fright and Horror in Livy’s Historiography

Common Ground and the Presentation of Emotions: Fright and Horror in Livy’s Historiography

Num. 39 (n.s.) – Dicembre 2021 – Fasc. 2

Die fiktionale Markierung der Legende von Tarpeia bei Livius (1, 11, 5–9)

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