Studies in Medievalism XVIII
DOI: 10.1017/upo9781846157646.007
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Living with Neomedievalism

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Cited by 4 publications
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“…This understanding is, for example, foundational to Robinson and Clements's essay. Their definition goes: ‘neomedievalism is further independent, further detached, and thus consciously, purposefully, and perhaps even laughingly reshaping itself into an alternate universe of medievalisms, a fantasy of medievalisms, a meta‐medievalism’ (Robinson & Clements, , 56). A conceptualisation along the same lines is found in Amy S. Kaufman's contribution to the Neomedievalism(s) issue of Studies in Medievalism , calling to mind Eco's ‘Dreaming of the Middle Ages’.…”
Section: Intermezzo: Neomedievalismmentioning
confidence: 99%
“…This understanding is, for example, foundational to Robinson and Clements's essay. Their definition goes: ‘neomedievalism is further independent, further detached, and thus consciously, purposefully, and perhaps even laughingly reshaping itself into an alternate universe of medievalisms, a fantasy of medievalisms, a meta‐medievalism’ (Robinson & Clements, , 56). A conceptualisation along the same lines is found in Amy S. Kaufman's contribution to the Neomedievalism(s) issue of Studies in Medievalism , calling to mind Eco's ‘Dreaming of the Middle Ages’.…”
Section: Intermezzo: Neomedievalismmentioning
confidence: 99%
“…2 etc. También ha habido otros acercamientos con el fin de calibrar el fenómeno televisivo (Lozano et al, 2013), el tan peculiar como creativo medievalismo (Fitzpatrick, 2019;Porrinas y Jiménez, 2019) o neomedievalismo (Robinson y Clements, 2009) de la serie; ha habido incluso revisiones de la filosofía subyacente en las tramas (Irwin y Jacoby, 2018;Pavlac, 2017) y hasta revisión creativa de la épica medieval (Carroll, 2018). En el terreno de la escenografía predominan el inventario de escenarios y localizaciones (Riley et al, 2019), sin entrar en un análisis profundo, o la crónica del apabullante diseño de producción que ha dado relumbrón a la serie y se ha convertido en una de sus principales bazas.…”
Section: Introductionunclassified