2020
DOI: 10.14324/fej.03.1.04
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Living in a ‘digital world’: An ethnographic study of film and adolescent literacy education in rural secondary schools in America

Abstract: This paper explores different ways in which teachers use film as a medium for literacy instruction in secondary settings across different content areas in the American public school system. Three educators participated in an ethnographic interview study serving as a pilot for further enquiry. Educators represented two sites in the southern United States, working in two different subject areas with students aged 12 to 16. Interviews were coded using multiple methods and five themes resulted from the data, focus… Show more

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Cited by 4 publications
(1 citation statement)
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“…In doing so, we draw in part upon Alain Bergala's (2016) notion of the passeur as an educational informer as a point of departure in assessing the multimodality of the different forms of film education discussed. Looking beyond formal film educational institutions, the article focuses on the role of film festivals, production companies and media organizations, with a specific focus on digital access to education (DeHart, 2020). We argue that consumption of film education is impacted by intersectionality, and that the discourses around film education therefore require a context-driven and heterogeneous approach, taking into account the particular forms and responses that film education may take within each sociocultural location.…”
mentioning
confidence: 99%
“…In doing so, we draw in part upon Alain Bergala's (2016) notion of the passeur as an educational informer as a point of departure in assessing the multimodality of the different forms of film education discussed. Looking beyond formal film educational institutions, the article focuses on the role of film festivals, production companies and media organizations, with a specific focus on digital access to education (DeHart, 2020). We argue that consumption of film education is impacted by intersectionality, and that the discourses around film education therefore require a context-driven and heterogeneous approach, taking into account the particular forms and responses that film education may take within each sociocultural location.…”
mentioning
confidence: 99%