Abstract:George Mackay Brown’s poetic renderings of northern archipelagic world have never been considered in the context of the techniques of literary Impressionism as deployed to attain the aesthetic effect of reader engagement. It is possible to view the author’s mature collection of poetry The Wreck of the Archangel as composed on the principle of littoral Impressionism that expands Joseph Conrad’s idea of art as expressed in the Preface to The Nigger of the “Narcissus”. This article will examine Brown’s ecosophy o… Show more
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