“…The four masters, known as Wŏl Sang Kye T’aek 月象谿澤 by the initials of their pen names, are renowned for their elegant prose in the Tang-Song neoclassical mode. However, Yi Chŏnggwi and Yi Sik have been suspected of being influenced by a contemporary literary trend that became fashionable in Beijing: archaism (Korean pokko /Chinese fugu 復古) or Old Phraseology (Korean komunsa /Chinese guwenci 古文辭) (Bryant, 2008; Chang, 2010, pp. 28-36; Rho, 2015; Ong, 2016).…”