Abstract:This paper proposes that the perceptual and cognitive mechanisms involved when listening to certain genres within "sound-based" music, such as post-spectralism, glitch-electronica, and electroacoustic music and in various areas of sound art, are best understood within a connectionist cognitive framework described by morphodynamic theory. By analysing the specific characteristics of sound-based music, it is explored how this kind of music works at perceptual and cognitive levels. The sound patterns found in the… Show more
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