2012
DOI: 10.1163/156852912x651063
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Listening for “The Silence of the Night”: Reading Kevin Hart’s “The Voice of Brisbane”

Abstract: This essay undertakes a close reading of Kevin Hart's poem "The Voice of Brisbane" alongside three pertinent voices. The first voice belongs to Yves Bonnefoy and concerns his translation of the French term évidence. Taking into account Hart's own admiration of Bonnefoy, this essay contrasts the kinds of experiential and poetic claims that the two poets make. The second voice belongs to St. John of the Cross. Hart's poem owes much to the kinds of mystical meditation that St. John advocates. The third voice belo… Show more

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“…As I have noted elsewhere, 'Many of [Hart's] poems seemed compelled to return again and again to Brisbane's tropical heat and humidity, its sensual fecundity, those combinations of movement and stillness, noise and silence that seem to define the city on the river' ( [18], p. 359). In 'Night Music' the poet takes us outward from a particular place along the Brisbane River, often swinging between the proximate and the distant.…”
Section: Kevin Hart's 'Night Music'mentioning
confidence: 99%
“…As I have noted elsewhere, 'Many of [Hart's] poems seemed compelled to return again and again to Brisbane's tropical heat and humidity, its sensual fecundity, those combinations of movement and stillness, noise and silence that seem to define the city on the river' ( [18], p. 359). In 'Night Music' the poet takes us outward from a particular place along the Brisbane River, often swinging between the proximate and the distant.…”
Section: Kevin Hart's 'Night Music'mentioning
confidence: 99%