Lipgloss Feminists: Charlie's Angels and The Bionic Woman

White, Rosie

doi:10.3200/stor.5.3.171-183

Cited by 2 publications

(1 citation statement)

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“…Scholars of the media have been skeptical. They argue that television's risk‐aversive reliance on formula leads it to reproduce stereotypes rather than challenge them (Buxton ; Cuklanz ; Moorti ; White ; see Hollander and Rodgers for a similar perspective on print). Activists promoting a cause are no match for the imperatives of producing profitable television.…”

Section: Introductionmentioning

confidence: 99%

Date Rape After the Afterschool Special: Narrative Trends in the Televised Depiction of Social Problems

Polletta

Tomlinson

2014

Sociological Forum

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Social problems scholars have pointed to sensitive depictions of social problems like smoking, rape, and spousal abuse on television as evidence of the success of movements devoted to those causes. Media scholars have countered that the pressure on television producers to hew to formula inevitably leads to stereotypical depictions of social problems. We appraise these two perspectives by way of an analysis of the portrayal of date rape on teen television dramas over the course of 2 decades. We show that, for a period, advocates did secure portrayals of date rape that were in line with a feminist antirape agenda. However, that depiction yielded to one in which date rape figured as a narrative device, used to tell audiences something about the show's characters or their situation, not to tell them something about rape. Developments in teen serials' content and especially their form led eventually to antifeminist portrayals, in which rapes were portrayed as unjust but routine events. Behind these developments, however, were demands on television writers to produce not formula, but novelty. We conclude by theorizing more generally the effects of the demand for novelty on the depiction of social problems on television.

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Section: Introductionmentioning

confidence: 99%