Abstract:This article examines three computer animations created by the pioneering filmmaker Lillian F. Schwartz circa 1970 that are currently viewable in 3D chromostereoscopy, specifically with ChromaDepth® 3D glasses. Reimaging these works 40 years after their creation permits a renewed formalist experience and a thematic analysis that reveals the primacy of Schwartz’s concern with depth and visual perception as part of her poetic sensibility. Excerpted interviews between the author and Lillian Schwartz are provided … Show more
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