1994
DOI: 10.1016/0964-7775(94)90040-x
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Lighting: Daylight in historic buildings/new museums: Some practical considerations

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Cited by 2 publications
(2 citation statements)
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“…Thus, during the design process, many architects have tried to support richer visitor experiences by enhancing the effectiveness of display methods. According to Cannon-Brookes, 20 daylight is capable of changing the quality of our lives, for better or for worse. He reports that inside a gallery, daylight combines the twin virtues of diffusion and orientation of historical appropriateness and colour renderings, to which all other sources are compared.…”
Section: Visual Experience Visual Comfort and Daylightmentioning
confidence: 99%
“…Thus, during the design process, many architects have tried to support richer visitor experiences by enhancing the effectiveness of display methods. According to Cannon-Brookes, 20 daylight is capable of changing the quality of our lives, for better or for worse. He reports that inside a gallery, daylight combines the twin virtues of diffusion and orientation of historical appropriateness and colour renderings, to which all other sources are compared.…”
Section: Visual Experience Visual Comfort and Daylightmentioning
confidence: 99%
“…150 lux) is thought to be appropriate for oil paintings, most photographs, ivory, wood and lacquer objects. Metal, stone, glass, ceramic, and enamel objects are generally thought to be unaffected by strong light [7][8][9][10][11].…”
Section: Museum Lighting Systemmentioning
confidence: 99%