Leveraging the FRBR model for music discovery and data sharing

Abstract

PurposeIn 2008, Indiana University received a National Leadership Grant from the Institute of Museum and Library Services for a project entitled “Variations/FRBR: variations as a testbed for the FRBR conceptual model”. The V/FRBR initiative aims to provide a real world, production implementation in a music digital library system of the Functional Requirements for Bibliographic Records (FRBR) suite of reports from the International Federation of Library Associations and Institutions (IFLA) that are being presented as revolutionizing library discovery systems. This paper seeks to examine this issue.Design/methodology/approachThis paper discusses the issues encountered in creating an interoperable data model that implements FRBR concepts. It uses the work of the V/FRBR initiative to describe how FRBR can be used in both a generic and a music‐specific environment.FindingsAn abstract data model representing FRBR at three levels of specificity (two generic and one music‐specific) is defined, along with its binding in XML and plans for expanding into an RDF representation into the future.Practical implicationsThe data model and its XML representation created by the V/FRBR project have the potential to be re‐used by other FRBR‐based cataloging and discovery systems in the future.Originality/valueWhile much discussion of FRBR has taken place in the library community, relatively little formal testing of FRBR‐ized data has been done, with even less widespread reporting of lessons learned. The V/FRBR project is among the first to share detailed information about the practical issues faced when implementing the FRBR models.

The Challenge of Data in Digital Musicology

“…Many projects have attempted to solve the issue, including following the abstract FRBR mode (Riley, 2011). However, none of them has succeeded so far in scaling up.…”

Positioning Libraries for a New Bibliographic Universe

“…93 Riley describes Variations/FRBR, an IMLS grant-funded project at Indiana University, and covers lessons learned in implementing the FRBR conceptual model for existing data in a music digital library and the work done to identify FRBR Works from MARC and roles for FRBR Group 2 entities as part of the FRBRization process. 94 A special issue of Fontes Artes Musicae was devoted to music cataloging and RDA. 95 Harden outlines the development of RDA, FRBR, genre/ form and medium terms to be used as "subjects," and a possible development of a new encoding standard to replace MARC.…”