2016
DOI: 10.1080/1362704x.2016.1139334
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Letter from the Editors

Abstract: She writes on Brazilian fashion and dress history. From 2000 to 2002, she initiated a translation project that brought Fashion Theory to Brazil and which opened a forum through which to engage Brazilian fashion studies. Her current research examines museum dress collections.

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Cited by 2 publications
(2 citation statements)
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References 8 publications
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“…Regarding the musealization and patrimonialization of clothing, particularly in Brazil, there are specific challenges to be faced initially discussed in previous works (Andrade and Root, 2016; Andrade, 2017). We already know that collections in museums do not represent Brazilian cultural diversity, but that there are thematic preferences for clothing in museums, such as fashion, especially, but not exclusively, women's fashion.…”
Section: Methods and Participants: Iny Karajá Presence In Museums Aro...mentioning
confidence: 99%
“…Regarding the musealization and patrimonialization of clothing, particularly in Brazil, there are specific challenges to be faced initially discussed in previous works (Andrade and Root, 2016; Andrade, 2017). We already know that collections in museums do not represent Brazilian cultural diversity, but that there are thematic preferences for clothing in museums, such as fashion, especially, but not exclusively, women's fashion.…”
Section: Methods and Participants: Iny Karajá Presence In Museums Aro...mentioning
confidence: 99%
“…A respeito da musealizac ßão e da patrimonializac ßão de indument aria, particularmente no Brasil, h a problemas espec ıficos inicialmente discutidos em outros trabalhos (Andrade, 2017;Andrade & Root, 2016). J a sabemos que as colec ßões nos museus não representam a diversidade cultural brasileira, mas que h a preferências tem aticas para a indument aria nos museus, como a moda, especialmente, mas não exclusivamente, a feminina.…”
Section: Trajes Das Bonecas Karaj A: Abordando O Vestu Ario Ind Igena...unclassified