Let’s Look at Style: Visual and Spatial Representation and Reasoning in Design

Jupp, Julie; Gero, John S.

doi:10.1007/978-3-642-12337-5_8

Cited by 8 publications

(4 citation statements)

References 30 publications

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“…However, further analysis is required to capture elements of building style. By a building style, we understand a rule relating to a class of buildings for which its components can be structured using the same set of aesthetic criteria [27]. These aesthetic criteria will be determined by the set of 3D primitives used by the designer as components and by a description of any possible way they are connected in the designer's creation of the prototype model.…”

Section: Design Process and Cp-graph Rewriting Systemmentioning

confidence: 99%

Generative and Evolutionary Techniques for the Process of Creating Architectural Objects on the Base of a 3D Prototype Model

Grabska

2022

Buildings

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The use of a genetic algorithm in evolutionary design is one of the major generative approaches for synthesis and evaluation during the design process. The process stimulates creativity in generating new, unexpected artifacts and aiding in their evaluation. We analyze the subject of the evolutionary design of building form styling following the aesthetic preferences of the designer. Component types and connection patterns characterize the building form and the rules of its composition. The designer using a graphics editor creates a 3D prototype model of a building form representative of his/her stylistic preferences by selecting different types of components and patterns of their connections. In the proposed evolutionary design, how the designer prototype model is organized, processed, and manipulated in generating buildings is based on the special graph structures. The research question addressed in this paper is, “How can a designer-defined 3D prototype model along with non-numerical graph calculations, influence computational creativity?” The main aim is to contribute to a better understanding of the non-numerical graph calculations describing the design process where visual perception is the driving force of creativity. Utilizing the developed formal description of the design synthesis, methodological contributions to generative and evolutionary techniques for computational creativity are presented.

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Section: Design Process and Cp-graph Rewriting Systemmentioning

confidence: 99%

Generative and Evolutionary Techniques for the Process of Creating Architectural Objects on the Base of a 3D Prototype Model

Grabska

2022

Buildings

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“…Shape grammars are a kind of results obtained by rules production and combination. In this same class of algorithms we can put L-systems [24].…”

Section: Shape Grammars Rules Production and Combinationmentioning

confidence: 99%

How Should Digital Humanities Pioneers Manage Their Data Privacy Challenges?

Rousseaux¹,

Saurel²

2015

IFIP Advances in Information and Communication Technology

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Since Digital Humanities researchers and developers are regularly creating somehow industrial applications concerning international business, it is time for those communities to be aware and make the most of legacy constraints and opportunities. For instance, let us consider the Computer Music state of the art, and particularly the Music Information Retrieval community and the wonderful algorithms it produces around authorship attribution and style recognition: even if some music style or authorship is finally attributed to some persons, this attribution may not result from a set of computable data somewhere reportable, the information being typically learned (in the sense of Machine Learning, more or less supervised) from dislocated data throughout the big data or the global database, and disseminated in the global programming system. Is this legal? In Europe and worldwide, Privacy by Design (PbD) is the actual response to protect the fundamental right to data protection and to guarantee the free movement of personal data between business stakeholders or Member States.

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“…These floor plans are a selection from the work of three prominent architects: Frank Lloyd Wright, Louis Khan and Andrea Palladio. They were used as there is existing work showing that there is a correlation between the perception of similarity in these sketches in humans and in neural networks (Jupp, 2005;Jupp & Gero, 2010). The system perceived each image by first using edge detection and a sharpening algorithm on the images and then feeding the resulting black and white pixels into the lower layer of the network as a sequence of 16x16 features.…”

Section: A Model Of Constructive Interpretation In the Design Conversmentioning

confidence: 99%

Interpretation in design: modelling how the situation changes during design activity

Kelly

Gero

2014

Res Eng Design

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This paper presents a model of the way that designers move between situations when interpreting during design activity. Three hypotheses are presented that arise from this model: that designers change their situation during interpretation, that small changes in a source can lead to large changes in the representation, and that changes to the situation have their origins in the experience of the designer. The paper demonstrates how this internal movement between situations can be computationally implemented using three examples. The systems implemented demonstrate the way that interpretation can lead to changes in the situation and present an example of how the changes to a designer's situation can be guided by past experiences. Keywords: situated design, computational modelling, interpretationDesigners frequently change their notion of what they are doing during design, but how this happens has not yet been adequately explained, nor has it been modelled computationally. It has long been recognised that the expectations held by a designer (the way that they 'see ') have an effect upon their future design moves (Schon & Wiggins, 1992). This work is concerned with the question of when do a designer's expectations change and why do they change to one set of expectations and not another? It is an enquiry into the relationship between experience and expectation as observed in a design conversation.Designers' notions of what they are doing change during design activity, and through thinkaloud studies and video recordings it is possible to observe, to some degree, what their notions are changing from and to (Fish & Scrivener, 1990;Gross & Do, 2000;Suwa & Tversky, 1997). The motivation for this work is to move beyond observation and to posit the Page 2 of 30 cognitive processes that relate knowledge from experience to the changing conception of a design task, with the aim of making computational models of design more 'designerly' (Cross, 1982).To place the focus upon the cognitive processes of the designer, design will be conceived here as a sequence of actions by a designer, where these actions are distinguishable activities over time that take place within a situation (Gero, 1998). The term situation refers here to a designer's internal notion of the world at a particular time, their co-ordinated expectations (Clancey, 1997). This definition of situation in design is related to terms that emphasise aspects of the same notion: the current internal context (Kennedy & Shapiro, 2004), the current epistemic frame (Shaffer et al., 2009) and the current ecology of mind (Gabora, Rosch, & Aerts, 2008) 1 . The situation refers to the parts of grounded knowledge (Barsalou, 2007) that come from experience within the world and that are being used to understand the world at this current moment and in this current experience.The paper first describes a model linking the situation of a designer (and their expectations within this situation) to the cognitive process of interpretation -something that occurs frequently during...

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Let’s Look at Style: Visual and Spatial Representation and Reasoning in Design

Cited by 8 publications

References 30 publications

Generative and Evolutionary Techniques for the Process of Creating Architectural Objects on the Base of a 3D Prototype Model

Generative and Evolutionary Techniques for the Process of Creating Architectural Objects on the Base of a 3D Prototype Model

How Should Digital Humanities Pioneers Manage Their Data Privacy Challenges?

Interpretation in design: modelling how the situation changes during design activity

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