2014
DOI: 10.4000/volume.4042
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Les valeurs de la création chorégraphique ouest africaine

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Cited by 4 publications
(2 citation statements)
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“…OR 1 captures the Roman rite around the year 800 and the translated sections are within the span of the manuscripts from these original rituals. 37 The same period of the OR 1 also shows the emergence of private Masses, identified as Eucharistic rites 'without people', or sine populo, as later Roman Missals tagged them, with only the priest, or Missae solitariae. 38 However, OR 1 preserves the full Mass, despite the Gallican accretions of the early Middle Ages and the giving and receiving integrity of the sacrament remains.…”
Section: Ordo Romanus Imentioning
confidence: 95%
“…OR 1 captures the Roman rite around the year 800 and the translated sections are within the span of the manuscripts from these original rituals. 37 The same period of the OR 1 also shows the emergence of private Masses, identified as Eucharistic rites 'without people', or sine populo, as later Roman Missals tagged them, with only the priest, or Missae solitariae. 38 However, OR 1 preserves the full Mass, despite the Gallican accretions of the early Middle Ages and the giving and receiving integrity of the sacrament remains.…”
Section: Ordo Romanus Imentioning
confidence: 95%
“…Pourquoi ce dénigrement ? Nous pouvons le comprendre comme une lutte de pouvoir au sein de la communauté artistique et un conflit inter-générationnel entre les anciens qui défendraient la « tradition » et les « jeunes » qui la trahiraient, ce conflit aboutissant, selon Sarah Andrieu, à une impasse : « […] les anciens reprochent aux plus jeunes de trop s'écarter de leurs racines tandis que ces derniers, lassés de ces critiques, cherchent à imposer d'autres visions esthétiques sans néanmoins s'extraire totalement de ce paradigme 45 . » Or, en réalité, les Ñuca Trans sont porteuses d'un véritable questionnement esthétique.…”
Section: Problématiques Esthétiques Et Questions De Genreunclassified