Les universaux en musique et en musicologie

Mâche, François-Bernard

doi:10.4000/transposition.1717

Cited by 2 publications

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“…This observation relates to recent scientific studies in ethology and botany, e.g. the works of Peter Barlow (2012), or the initial writings on zoo-musicology, initiated by François-Bernard Mâche (1983) and elaborated upon by Dario Martinelli (2007). Mention should also be made of the relevance of the writings of Leonella Grasso Caprioli (2012) on ecomusicology.…”

Section: Meaningmentioning

confidence: 84%

The Routledge Handbook of Music Signification

2020

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HAL is a multi-disciplinary open access archive for the deposit and dissemination of scientific research documents, whether they are published or not. The documents may come from teaching and research institutions in France or abroad, or from public or private research centers. L'archive ouverte pluridisciplinaire HAL, est destinée au dépôt et à la diffusion de documents scientifiques de niveau recherche, publiés ou non, émanant des établissements d'enseignement et de recherche français ou étrangers, des laboratoires publics ou privés.

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Section: Meaningmentioning

confidence: 84%

The Routledge Handbook of Music Signification

2020

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“…Such synergy between musical materials and natural models, found both in electroacoustic and instrumental music, has been discussed extensively by French composer François-Bernard Mâche, who argues that the music should imitate or refer to archetypal and natural behaviours and models that resound with human memory and sensitivity, in order to reach the listener in a strong and meaningful way. Partly inspired by Mâche’s notion of a link between abstract musical materials and what he calls ‘natural sound models’ (Mâche 1983), the compositional approach behind Archipel is clearly oriented and driven by the piece’s subject itself: every musical gesture or material moves towards the evocation of the Montréal’s waterfront, as will be explained in the next sections.…”

Section: Exploring the Documentary Approach: The Example Of Archipelmentioning

confidence: 99%

Acousmatic Music as a Medium for Information: A case study of Archipel

Campion¹,

Côté²

2017

Org. Sound

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This article discusses the inclusion of concrete informative elements within acousmatic music, in an attempt to mix acousmatic music and sound documentary into a form of socially engaged sound art. Inspired by existing sound practices that make strong use of the sonic reality, such as soundscape composition or radiophonic art, the authors explain how they aim to address socially relevant topics within pieces where music and information are considered of equal importance. To that end, they give a detailed description of their approach through the analysis of the composition process behind Archipel (Côté and Campion 2016), a 29-minute piece focused on the access to the waterfront in the city of Montréal, Québec. Through an alloy of interviews, sound recordings gathered on the shores of Montréal and typically acousmatic sound-processing and synthesis, the piece attempts to portray the challenges and opportunities encompassed by this topic. Having found the need to go beyond the acousmatic concert format for this kind of work, the authors also briefly discuss how they are currently expanding the project to include an interactive website and a mobile application that will complement the initial concert piece.

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Les universaux en musique et en musicologie

Abstract: Éditeur CRAL-Centre de recherche sur les arts et le langage

Cited by 2 publications

References 0 publications

The Routledge Handbook of Music Signification

The Routledge Handbook of Music Signification

Acousmatic Music as a Medium for Information: A case study of Archipel

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