2022
DOI: 10.4000/ocim.5129
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Les dispositifs numériques immersifs. Une opportunité pour les visiteurs déficients sensoriels ?

Cindy Lebat

Abstract: L'attrait pour le numérique dans les musées n'est plus à démontrer (Sandri, 2016), allant même par-fois jusqu'à devenir une injonction, que ce soit dans la communication ou dans la médiation culturelle. Cette focalisation sur le numérique s'accompagne d'unLes dispositifs numériques immersifs. Une opportunité pour les visiteurs défi...

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“…Some museum researchers have called these "bodily mediations" (Verhaegen, 2008) or "formal mediations" (Chaumier & Mairesse, 2013, p. 55). This also relates to broader museological approaches that consider the museum as a multi-sensory site (Liu & Lan, 2021), such as the museology of the sensitive (Lebat, 2022), or the museology of emotions (Varutti, 2020(Varutti, , 2022. For this research, however, we prefer to describe this luminous mediation that has been observed with the term "sensory."…”
Section: Towards a Luminous Sensory Mediationmentioning
confidence: 99%
“…Some museum researchers have called these "bodily mediations" (Verhaegen, 2008) or "formal mediations" (Chaumier & Mairesse, 2013, p. 55). This also relates to broader museological approaches that consider the museum as a multi-sensory site (Liu & Lan, 2021), such as the museology of the sensitive (Lebat, 2022), or the museology of emotions (Varutti, 2020(Varutti, , 2022. For this research, however, we prefer to describe this luminous mediation that has been observed with the term "sensory."…”
Section: Towards a Luminous Sensory Mediationmentioning
confidence: 99%