2019
DOI: 10.5334/tismir.27
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Learning Sonata Form Structure on Mozart’s String Quartets

Abstract: The musical analysis of large-scale structures, such as the classical sonata form, requires to integrate multiple analyses of local musical events into a global coherent analysis. Modelling large-scale structures is still a challenging task for the research community. It includes building large and accurate annotated corpora, as well as developing practical and efficient tools in order to visualize the analyses of these corpora. It finally requires the conception of effective and properly evaluated MIR algorit… Show more

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Cited by 9 publications
(4 citation statements)
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References 24 publications
(36 reference statements)
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“…Cadence detection is a highly topical research object of quantitative and computational musicology, and represents a crucial part of a broader effort to model musical form using data-driven methods (see, e.g., Allegraud et al, 2019;Ito, 2014;Sears, Pearce, Caplin & McAdams, 2018). Whereas musical corpus studies may now draw on an ever-growing body of datasets of harmonic analyses, explicit cadential labels are, by and large, rare.…”
Section: Data Usage and Applicationsmentioning
confidence: 99%
“…Cadence detection is a highly topical research object of quantitative and computational musicology, and represents a crucial part of a broader effort to model musical form using data-driven methods (see, e.g., Allegraud et al, 2019;Ito, 2014;Sears, Pearce, Caplin & McAdams, 2018). Whereas musical corpus studies may now draw on an ever-growing body of datasets of harmonic analyses, explicit cadential labels are, by and large, rare.…”
Section: Data Usage and Applicationsmentioning
confidence: 99%
“…The team is composed of five MIR researchers working on music modeling (especially music analysis), with a focus on structure, harmony, and texture. Previous work of the team includes form analysis of fugues (Giraud et al, 2015) and sonata forms (Allegraud et al, 2019). Most members of the team have pursued academic studies in classical music and some have experience also in folk, choral, or electronic music.…”
Section: Team Approach and Processmentioning
confidence: 99%
“…Another widely used feature to characterize the global timbre of audio is the set of Mel Frequency Cepstral Coeffients (MFCCs) that parameterize relative sound levels in critical frequency bands (Logan, 2000;Foote and Cooper, 2003). Recently, Allegraud et al (2019) reviewed the challenges inherent in the segmentation of largescale structure in the classical sonata form and proposed methods exploiting music theory with computed melodic, harmonic and rhythmic features to characterize the evolving structure as a sequence of recurring states. Rhythmic cues have been exploited for segmentation of Chinese popular music by Jensen et al (2005).…”
Section: Structural Segmentation Literature Reviewmentioning
confidence: 99%