2011
DOI: 10.4000/framespa.660
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Le genre au prisme de l’archéologie : quelques réflexions autour de la « dame de Vix »

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Cited by 10 publications
(3 citation statements)
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“…For example, the focus on twentieth-century conflict and industrial heritage has certainly led to a gender bias in the people studied because, with only some notable exceptions, warfare and most factory work were traditionally masculine occupations. The diversification of modern and contemporary archaeology might therefore move forward by grounding itself in recent advances in feminist, gender and queer archaeology (gender archaeology in France has so far confined itself to prehistoric studies, see Péré-Noguès 2011; Belard 2012, 2015; Trémeaud 2015; Algrain 2020). Archaeological studies of the material traces of women's labour in the modern and contemporary period might provide a balance to the current widespread androcentrism (see Michaut 2023 for an analysis of this phenomenon in a colonial context).…”
Section: Future Paths and Possibilitiesmentioning
confidence: 99%
“…For example, the focus on twentieth-century conflict and industrial heritage has certainly led to a gender bias in the people studied because, with only some notable exceptions, warfare and most factory work were traditionally masculine occupations. The diversification of modern and contemporary archaeology might therefore move forward by grounding itself in recent advances in feminist, gender and queer archaeology (gender archaeology in France has so far confined itself to prehistoric studies, see Péré-Noguès 2011; Belard 2012, 2015; Trémeaud 2015; Algrain 2020). Archaeological studies of the material traces of women's labour in the modern and contemporary period might provide a balance to the current widespread androcentrism (see Michaut 2023 for an analysis of this phenomenon in a colonial context).…”
Section: Future Paths and Possibilitiesmentioning
confidence: 99%
“…To return to Timothy Earle's 4 Fs, the absence of weapons in both Vix and Lavau should be viewed as a reflection not of gender or sexual identity but rather as one of the available pathways to power, possibly comprised of faith (i.e. grounded in some type of ritual potency) combined with fascination and favors rather than force Péré-Noguès 2011). In other words, the personal ornament viewed from a contemporary perspective as an expression of gender identity may in fact have reflected an expressly non-martial source of authority.…”
Section: Age and Social Rolementioning
confidence: 99%
“…15, pp. 231–32, citing Verger, 2009, contra Péré-Noguès, 2011). Altogether, Part VIII is not the strongest section of the book when it comes to explaining the La Tène art style and its revolutionary impact on visual perception.…”
mentioning
confidence: 99%