1996
DOI: 10.1080/07494469600640261
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Laya in Indian music: Monody and the shapes of time

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“…The earliest term the founder of the Indian theory, Bharata (4 th Century) used for the highest aesthetic experience was harsha, meaning ecstatic joy. But later theorists felt the need to recognize that the Harsha was not a simplex phenomenon, to be approached directly by the performing arts, the complex reflecting and unifying a variety of emotional conditions" [46]. ... and the world is like an apple whirling silently in space like the circles that you find in the windmills of your mind It was so loud the windows were vibrating [47].…”
Section: Phenomenological Philosophy Of Mindmentioning
confidence: 99%
See 1 more Smart Citation
“…The earliest term the founder of the Indian theory, Bharata (4 th Century) used for the highest aesthetic experience was harsha, meaning ecstatic joy. But later theorists felt the need to recognize that the Harsha was not a simplex phenomenon, to be approached directly by the performing arts, the complex reflecting and unifying a variety of emotional conditions" [46]. ... and the world is like an apple whirling silently in space like the circles that you find in the windmills of your mind It was so loud the windows were vibrating [47].…”
Section: Phenomenological Philosophy Of Mindmentioning
confidence: 99%
“…Mood music, music therapy and a plethora of other music promoting relaxed meditative states have been around for decades [35][36][37].…”
Section: Interregnummentioning
confidence: 99%