Genetic diversity is the most fundamental level of biodiversity, yet little is known about its broad spatial structure across taxa. Spatial variation in species richness, on the other hand, is the most notable and well-described biogeographic pattern in nature, but our understanding of its causes remains underdeveloped. Linking pattern to process requires shifting focus from the species level to population genetic diversity-the level at which evolution acts. Until recently, it was not possible to incorporate estimates of genome-wide diversity indicative of population processes into analyses of species richness patterns due to a lack of comparable multi-species, population-level data. To address this gap, I compiled publicly archived, raw, neutral, nuclear molecular genetic data to build an aggregated database of metrics of genetic composition in North American terrestrial vertebrates comprised of 99 species (44 mammal, 25 bird, 19 amphibian, and 11 reptile), totaling 58,946 individual genotypes from 1,682 sample sites across the United States and Canada. I First, I owe many thanks to my supervisor Colin Garroway for being unrelentingly positive these 4 years, and making research way more fun than I imagined it'd be. I'm grateful to my committee members Jay Treberg, Kevin Fraser, and Aleeza Gerstein for their input and guidance along the way. I also thank the past and present members of the PEEG crew, especially Riikka Kinnunen (and the 'squirrel girls', and the 'picnic-ers'), for many wacky days of squirrel-catching, of which unfortunately none made it into this thesis. It's like the old saying goes, you never know where your dissertation's gonna take you.The importance of data sharing can't be understated for this project, and I am endlessly thankful to the numerous authors whose archived data contributed to the work presented herein (see Appendix), and to Mitchell Green who helped me build this dataset. I of course want to thank my parents, my brother, and the rest of my family and friends for their support, asking lots of questions, and listening to lots of practice presentations. Last and certainly not least, a huge thanks goes to my creative writing professor Paul Blaney, for knowing I'd end up doing a PhD even when I didn't think so. Looks like the 16 th time's the charm!