2020
DOI: 10.1016/j.quaint.2020.02.008
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Late-Copper-Age decorated bowls from the Trieste Karst (north-eastern Italy): What can typology, technology and non-destructive chemical analyses tell us on local vs. foreign production, exchange systems and human mobility patterns?

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Cited by 5 publications
(7 citation statements)
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“…Initially, attention was given to shaft-hole axes due to lithological differences observed in artifacts from the Karst area and Friuli compared to Neolithic samples, suggesting changes in raw material provenance [20]. Subsequent studies extended to all types of polished stone axes, confirming previous hypotheses and identifying main raw material sources ( [14] and references therein) Later, on the basis of previous results, archaeometric analyses were applied to Neolithic, Copper, and Early Bronze Ages (hereafter EBA) pottery from Karst caves and Slovenian sites of the Ljubljansko barje [15][16][17][18], where axes and pots of peculiar forms had been found.…”
Section: Neolithicmentioning
confidence: 56%
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“…Initially, attention was given to shaft-hole axes due to lithological differences observed in artifacts from the Karst area and Friuli compared to Neolithic samples, suggesting changes in raw material provenance [20]. Subsequent studies extended to all types of polished stone axes, confirming previous hypotheses and identifying main raw material sources ( [14] and references therein) Later, on the basis of previous results, archaeometric analyses were applied to Neolithic, Copper, and Early Bronze Ages (hereafter EBA) pottery from Karst caves and Slovenian sites of the Ljubljansko barje [15][16][17][18], where axes and pots of peculiar forms had been found.…”
Section: Neolithicmentioning
confidence: 56%
“…In the first half of the third millennium BC, the influence of the Vučedol Culture most likely reached the Karst region from the area of the Ljubljansko barje in Central Slovenia. A network of connections also extended across this area to distant regions such as Central Europe, as evidenced in particular by the characteristic cross-footed bowls decorated with cord impressions [18]. With the emergence of the Ljubljana Culture, the connection between the Ljubljansko barje and the Karst region reached its peak.…”
Section: Copper Agementioning
confidence: 93%
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“…4; Forenbaher also considers as part of the Ljubljana culture finds that in my opinion rather reflect the influences of the Vučedol culture, e.g. bowls on a cross-or star-shaped foot from the Trieste Karst, which show elements of the Vučedol culture, most likely from the Carpathian Basin (for details, see Leghissa et al 2020), also finds from the tumuli in Montenegro. 52 Forenbaher 2018a52 Forenbaher , 152-153, also see 2018b Given the wide spatial distribution of the Ljubljana culture and the apparent differences between individual areas, it is reasonable to wonder whether the term Ljubljana culture can at all be retained for the whole area.…”
Section: History Of Research Into the Ljubljana Culturementioning
confidence: 84%
“…4; Forenbaher obravnava v okviru ljubljanske kulture tudi najdbe, ki so po mojem mnenju odraz vplivov vučedolske kulture: npr. sklede na križni in zvezdasti nogi s Tržaškega Krasa, te kažejo prvine vučedolske kulture, najverjetneje z območja Karpatske kotline (glej podrobneje Leghissa et al 2020), in tudi najdbe iz črnogorskih gomil. 52 Forenbaher 2018a52 Forenbaher , 152-153, glej tudi 2018b Glede na široko geografsko razprostranjenost ljubljanske kulture in na očitne razlike med določenimi območji njene razprostranjenosti se je smotrno vprašati, ali je smiselno obdržati izraz ljubljanska kultura za celotno območje.…”
Section: Dežmanova Kolišča In Pripadnost Keramičnih Najdb Posameznim Izkopavalnim Etapamunclassified