Abstract:This chapter is concerned with the function of laughter and irony in Byron's verse. Typically, the poet's levity is read as a "terminal" or "annihilating" gesture; this essay, by contrast, tests the cogency of more constructive, hopeful and hospitable readings. It has become customary to assume that Byron's poetry delights in terminations, and in particular willed or staged terminations. Perhaps the most elegant formulation of this view is Hoxie Fairchild's, who claimed that Byron was "too idealistic to refrai… Show more
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