Indonesian-Cultural-Diplomacy-and-the-First In 1986, the city of Vancouver celebrated its centenary by hosting what would be the last World Exposition to take place in North America. From May to October, Expo 86 occupied a 70hectare site along False Creek in the city's downtown core, attracting some 22 million visitors who flocked to a lavish event that ran a deficit of nearly 250 million Canadian dollars. 1 Its theme of "World in Motion-World in Touch" was conceived, like many World Expos, to celebrate human achievement in innovation, technology, and communication. Particular to Vancouver's Expo was its focus on transportation, and more so, its grandiose marketing strategy to sell the city as a critical node on the cultural and commercial axis of the Pacific Rim. While Expo was, as Eleanor Wachtel mordantly observed, a summarily regional affair aimed at bolstering Vancouver's declining economy-created, she wrote shortly after the conclusion of the fair, "with no real program at all, conceived by persons with essentially no interest in world's fairs" 2 -it offered a space for the kind of international cultural exchange in one particular regard overlooked by Expo's many critics: at the Indonesia Pavilion, the First International Gamelan Festival and Symposium featured three and a half days of performances by Indonesian and Western gamelans, and lectures from international speakers. Held from August 18 to 21, 1986 at various locations on the Expo site (The Xerox Theatre, the ASEAN Plaza, the Plaza of Nations, as well as in the Indonesia Pavilion of Expo itself), it was conceived as a space where tradition,