2021
DOI: 10.31921/doxacom.n32a11
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La música popular en las elecciones generales de 2019 en España

Abstract: Esta investigación indaga en el diseño de las playlists electorales de tres partidos en las elecciones generales de 2019 en España. El binomio partido-candidato es esencial para entender la función de la música popular en las campañas electorales. El himno es una imagen de marca sonora del partido que apela a votantes fieles y enmarca en campaña al candidato. Las playlists con música popular permiten un discurso dividido emocional y temáticamente que facilita la personificación del partido. El empleo funcional… Show more

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“…Just as George W. Bush appeared before the media in 2000 while Tom Petty's "I Won't Back Down" was playing, in recent electoral campaigns it has become common practice for candidates to resort to melodies, choruses, cover songs, or any other type of musical rhetoric as a persuasion strategy often reserved for livening up rallies and creating advertisements without thinking of other options (Aguirre, 2021). Spotify and the creation of playlists have finally come to be used in Spain to broaden a candidate's horizons in ways similar to that of former US President Barack Obama (Gorzelany-Mostak, 2015;Zepeda et al, 2011), who in 2012 started a trend that has been followed in the US by Hillary Clinton, Mitt Romney, Bernie Sanders, Donald Trump, and Joe Biden, among others (Alaminos-Fernández, 2021;Kasper & Schoening, 2016). Following the shadow of American influence, Spanish political campaigns have been inspired to use playlists in ways first tested in the US (Negrine & Papathanassopoulos, 1996).…”
Section: Popular Music and Politics: The Rhythm Of A Campaignmentioning
confidence: 99%
See 1 more Smart Citation
“…Just as George W. Bush appeared before the media in 2000 while Tom Petty's "I Won't Back Down" was playing, in recent electoral campaigns it has become common practice for candidates to resort to melodies, choruses, cover songs, or any other type of musical rhetoric as a persuasion strategy often reserved for livening up rallies and creating advertisements without thinking of other options (Aguirre, 2021). Spotify and the creation of playlists have finally come to be used in Spain to broaden a candidate's horizons in ways similar to that of former US President Barack Obama (Gorzelany-Mostak, 2015;Zepeda et al, 2011), who in 2012 started a trend that has been followed in the US by Hillary Clinton, Mitt Romney, Bernie Sanders, Donald Trump, and Joe Biden, among others (Alaminos-Fernández, 2021;Kasper & Schoening, 2016). Following the shadow of American influence, Spanish political campaigns have been inspired to use playlists in ways first tested in the US (Negrine & Papathanassopoulos, 1996).…”
Section: Popular Music and Politics: The Rhythm Of A Campaignmentioning
confidence: 99%
“…A song is all the more useful in electoral terms when it can activate socialisation codes; moreover, this effect increases when there is an interaction with the degree of knowledge that the public has of the lyrics and melody, together with the emotional effects that the combination produces (Alaminos-Fernández, 2020). Likewise, whereas a composition specifically conceived for electoral use conveys the values represented by the project or programme, when a song is "borrowed" the candidate must adapt to it.…”
Section: Popular Music and Politics: The Rhythm Of A Campaignmentioning
confidence: 99%