La expansión de la telenovela

Mazziotti, Nora

doi:10.26439/contratexto2006.n014.765

Cited by 9 publications

(15 citation statements)

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“…But Martín-Barbero not only draw from Freire and Ricoeur. His intellectual suitcase, filled with dialogs and references, made us turn our gaze to Benjamin (1991), Arendt (1970Arendt ( , 1973, Adorno (1971Adorno ( , 2007, García Canclini (1982Canclini ( , 1990, De Certeau (1999), Mazzioti (2006), Rincón (2006Rincón ( , 2018, Rodríguez (2001, 2011) Reguillo (1991, 2012, Le Bon (1959), Monsiváis (1995), andChaui (1980;Chaui et al, 1984). His work opened doors and windows so that our Latin American dialog could be enriched with many reflections.…”

Section: Contribution To the Field Of Communicationmentioning

confidence: 99%

The possibilities Jesús Martín-Barbero left for us to understand Latin America

Marroquín Parducci

2023

Media, Culture & Society

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This essay analyzes the Ph.D dissertation of Jesús Martín-Barbero, written in 1972 in Louvain, Belgium. Equipped with Paul Ricoeur’s explorations on how a text is constructed and Paulo Freire’s insistence on the emancipatory nature of the communicative action, Martín-Barbero centered his scholarship on the urgency to study and understand Latin American popular cultures. Martín-Barbero’s dissertation centers the great problem of academic analysis on language as the subject that acts in the world. To explore the connection of language and action, Martín-Barbero proposes three historically situated language devices that allow individuals to position themselves and move toward praxis: myth, prophecy, and poetry.

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Section: Contribution To the Field Of Communicationmentioning

confidence: 99%

The possibilities Jesús Martín-Barbero left for us to understand Latin America

Marroquín Parducci

2023

Media, Culture & Society

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“…El giro reivindicatorio, o que de manera general podríamos llamar feminista, tiene algunas manifestaciones en la telenovela argentina de comienzos de los años noventa: La extraña Dama (1989-90), Antonella (1992), Perla Negra (1994), Cosecharás tu siembra (1991), por ejemplo; pero como señala Mazziotti (1996):…”

Section: De Víctimas Y Villanasunclassified

Vino nuevo en odres viejos. La matriz melodramática de la telenovela y los cambios culturales contemporáneos en las identidades de género

Vilela

2020

Comysoc

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“…al, 2005, & Mazziotti, 1996. Characters' • Yaprak Dökümü is besed on the novel by Reúat Nuri Güntekin written in 1939;…”

Section: >͘ Wăŷũğƚă Dśğ śăŷőŝŷő ^žăɖɛ ăŷě Dğůğŷž|ğůă 'ğŷƌğ͗ Dƶƌŭŝɛś ^mentioning

confidence: 99%

The Changing Soaps and Telenovela Genre: Turkish Series Impact

Panjeta¹

2014

epiphany

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The focus of this work is to establish the inherent features of the genre of series and discuss their importance and impact on society, politics and everyday life. We usually tend to address everything related to TV and sequel featured as series and soaps. This common presumption is wrong on so many levels, because the genre of sequels has many subgenres and mixed genres and they are constantly changing in the light of the new technologies of filmmaking, TV broadcast and demands of the market. The societies in transition are subjected to various media contents among which the greatest popularity is bestowed to the melodramatic narrative of telenovelas. The promotion of cultures and deconstruction of cultural stereotypes inherent to the mass audience is one of the values of this media content. How much does the genre of telenovelas differ in the context of cultural nuances and what is the genesis of the human urgency in retelling the melodramatic and tragic narratives? Is this genre based on Turkish production now trespassing into the territory of ancient tragedy, thus returning to the roots of all the fiction? Is so, why is that happening to this genre? Enormous popularity deriving from these stories is reflected in the prime time broadcasting by Croatians, Serbian and Bosnian TV stations since 2010. The paper will explain the ontogenesis of the popularity, reflections and influences on societies and cultures, and features of this hybrid and changing genre of telenovelas produced in Turkey. Keywords

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La expansión de la telenovela

Cited by 9 publications

References 0 publications

The possibilities Jesús Martín-Barbero left for us to understand Latin America

The possibilities Jesús Martín-Barbero left for us to understand Latin America

Vino nuevo en odres viejos. La matriz melodramática de la telenovela y los cambios culturales contemporáneos en las identidades de género

The Changing Soaps and Telenovela Genre: Turkish Series Impact

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