La division sexuelle du travail chez les musiciens français

Ravet, Hyacinthe; Coulangeon, Philippe

doi:10.1016/s0038-0296(03)00039-6

Cited by 34 publications

(3 citation statements)

References 8 publications

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“…A third of the musicians were in their forties, sixteen were in their thirties, eleven in their fifties, and eight in their twenties. Only 10% of the interviewees were women, a figure lower than the average of 23% in contemporary music in Switzerland (Perrenoud and Bataille, 2017: 319) and 20% in France as opposed to 45% in classical music (Ravet and Coulangeon, 2003: 363). This is partly due to the fact that tribute bands usually cover pop and rock stars, of whom up to 90% are men according to certain estimations (Bellis et al, 2007).…”

Section: Observing and Interviewing The Art World Of Tribute Bandsmentioning

confidence: 81%

Researching tribute bands: tools, counter-interpretations and extending research relations to Facebook in a tight network

Nikoghosyan

2021

Qualitative Research

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This article discusses methodological, ethical, and epistemological issues that arise when research is conducted in a tight-knit network of respondents: in this case, artists in search of fame and recognition, while performing in a tribute band – a relatively downgraded form of music. The study was conducted in Switzerland and used qualitative methodology, consisting mainly of observations of concerts and semi-structured interviews with musicians, cultural intermediaries and audience members. With an aim to contribute to the reflexivity of sociology as a discipline and ideally provide methodological traces for future research in similar conditions, the article first presents the general methodology used in this study. Then, the discussion turns to the uses and difficulties of certain methodological elements such as Howard Becker’s advice on ‘playing dumb’ for obtaining more subtle information, dealing with ‘counter-interpretations’ by study participants, or the extension of research relations to the online realm.

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Section: Observing and Interviewing The Art World Of Tribute Bandsmentioning

confidence: 81%

Researching tribute bands: tools, counter-interpretations and extending research relations to Facebook in a tight network

Nikoghosyan

2021

Qualitative Research

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“…Studies of musicians' work are principally concerned with the musicians who work in ensembles, especially orchestra musicians (Faulkner, 1983;Gilmore, 1987;Ravet and Coulangeon, 2003) or jazz musicians (Becker, 1963;Coulangeon, 1999;Buscatto, 2003). If the literature about musicians is extensive, to my knowledge it does not include sociological publications concerning the soloists' class.…”

Section: Literature Reviewmentioning

confidence: 99%

Career Coupling: Career Making in the Elite World of Musicians and Scientists

Wagner¹

2022

QSR

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This article analyzes the interaction between the careers of people working in artistic and intellectual worlds. Two ethnographic studies constitute the basis for the analysis of career building in connection with the careers of other actors. The concept of career coupling represents the process by which professional success is achieved through the forging of relationships between novice and elite actors. Career coupling in the social world of virtuoso musicians is compared to that of career coupling in the social world of elite scientists. It was found that both groups achieve status in a similar fashion by moving through a three-stage process: (1) matching; (2) active collaboration; and, (3) passive collaboration. It is argued that the analysis of career coupling developed here can also be transferred to other professional fields.

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“…Ce processus qui transforme l'artiste en entrepreneur, intégrant, peu à peu, des normes managériales dans sa pratique artistique, contribue à l'élaboration d'un cadre spatio-temporel particulier alternant périodes d'activité intense et de temps morts, temps de travail strictement délimités et plages de flexibilité, travail en dehors du cercle domestique et travail à la maison, impliquant l'imbrication des sphères familiales et professionnelles (Coulangeon, 2004a). fortement sur les femmes en raison des normes dominantes et genrées de la répartition du travail domestique et vient renforcer des dynamiques de division sexuée du travail artistique observables, par exemple, chez les musiciens (Ravet et Coulangeon, 2003). 3 L'étude de Sinigaglia-Amadio et Sinigaglia sort volontairement d'une approche en fonction des mondes de l'art pour faire émerger de grandes tendances sur les temporalités professionnelles et domestiques du travail artistique.…”

Section: Precarity Temporality and Work-family Integration : Baroqueunclassified

Précarité, temporalités et conciliation travail-famille chez les musiciens baroques montréalais

Sauvage¹

2017

interventionseconomiques

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S’est développé à Montréal, depuis la fin des années 1980, un « Monde de l’art » particulier articulé autour de l’interprétation de la musique dite ancienne (de la Renaissance au début du Romantisme) sur instruments historiques. Au fil du temps, la ville est devenue un centre important en Amérique du Nord pour ce style musical. Cet article a pour but d’explorer deux aspects liés à la carrière des artistes qui évoluent dans ce monde. Il interroge une double précarité : celle inhérente à la carrière artistique, celle imposée par la spécialisation du répertoire. Cette dernière limite-t-elle les possibilités d’embauche ? Nous examinons les stratégies élaborées pour contrer cette précarité et leurs conséquences sur les temporalités professionnelles et familiales de ces artistes.

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La division sexuelle du travail chez les musiciens français

Cited by 34 publications

References 8 publications

Researching tribute bands: tools, counter-interpretations and extending research relations to Facebook in a tight network

Researching tribute bands: tools, counter-interpretations and extending research relations to Facebook in a tight network

Career Coupling: Career Making in the Elite World of Musicians and Scientists

Précarité, temporalités et conciliation travail-famille chez les musiciens baroques montréalais

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