"La città è come l'opera d'arte". Riccardo Mariani e la trilogia sulla cultura della città

Agostini, Ilaria

doi:10.3280/su2014-142007

Cited by 2 publications

(2 citation statements)

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“…Throughout the western world, the 1990s has brought the rising of the global economy and neoliberal economy, in parallel to political and administrative changes and the review of legal frameworks. In the Italian context, it then became possible for the Government to alienate 16 See Bravo (2009) and Cervellati's interview in Agostini (2013). social housing units, which has generated some gentrification process in the former public housing blocks.…”

Section: Bologna: Conservation As a Revolutionmentioning

confidence: 99%

OTHER LANDSCAPES OF CULTURAL HERITAGE(S): history and politics

Lopes¹,

Rossa²,

Jerónimo³

2023

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This book offers a heterogeneous enquiry into the historical contexts and policies that conditioned the emergence and institutionalisation of cultural heritage assets, focusing mostly on geographies shaped by Portuguese influence and using as an operational tool the concept of landscape. Assessing related discourses and practices, which reveal comparative dynamics, this volume deals with history as a basis for understanding the different and shared realities in each country and region, and politics (and policies) taken as a repertoire of action to tackle the problems and challenges associated with cultural heritage, that is, those identified and contested as such. The topics addressed by each chapter are diverse and crucial: contested heritage; social justice; heritage as performance; industrial colonialism; tourism and heritage; heritage management and preservation; conservation, heritage, and landscape. The Patrimónios (Heritages) — UNESCO Chair on Intercultural Dialogue on the Heritage of Portuguese Influence — and the homonymous PhD course, promote integrated interdisciplinary cooperation and research about the assets that, from the point of view of active cultural heritage (architecture, arts, geography, history, landscape, urbanism), entail convergences in recognising the values common to the communities where Portuguese forms of presence have existed, or still exist. Its focus is not the latter but the variety of cultural outcomes it has generated in the world, recognising the role of the other, the co-constitution and multi-directional of North-South and South-South relations, the consequences of movements and processes of violent subjugation implicit in the phenomena of emigration and colonisation, as well as new or renewed forms of post-colonial domination.

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Section: Bologna: Conservation As a Revolutionmentioning

confidence: 99%

OTHER LANDSCAPES OF CULTURAL HERITAGE(S): history and politics

Lopes¹,

Rossa²,

Jerónimo³

2023

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“…In other words, could a visual participatory planning practice involve citizens and migrants in planning and building their own dwelling space? This would aim to foster positive social-territorial processes to include and integrate migrants as an alternative to emergency reception and hospitality modalities [7]. It also aims at preserving unused territories.…”

Section: Questionsmentioning

confidence: 99%

Between Utopian Image and Heterotopic Reality. Thinking/Imagining Participatory Planning (and also Hospitality) Starting from Reality

Bevilacqua

2017

Proceedings of the International and Interdisciplinary Conference IMMAGINI? Brixen, Italy, 27–28 November 2017.

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Utopia is a place that does not exist; utopia is a non-existent model society in a non-existent model space. Utopia is an image. According to the definition given by Michel Foucault, hétéropies, unlike utopias, are places that actually exist. Heterotopies are at the same time non-physical and real and physical spaces. In the modern Western world, characterised by multiculturalism and by an increasing number of coerced migrations, is it possible to create tangible utopias (that is heterotopies) places where the foreigner can be welcomed thanks to the reclamation of abandoned areas? One tool for facilitating such a process could be participatory planning based with a visual/image basis.

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"La città è come l'opera d'arte". Riccardo Mariani e la trilogia sulla cultura della città

Cited by 2 publications

References 0 publications

OTHER LANDSCAPES OF CULTURAL HERITAGE(S): history and politics

OTHER LANDSCAPES OF CULTURAL HERITAGE(S): history and politics

Between Utopian Image and Heterotopic Reality. Thinking/Imagining Participatory Planning (and also Hospitality) Starting from Reality

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