L’insurrection qui vient par la forme

Huppé, Justine

doi:10.4000/contextes.6975

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“…The reader is an active participant in the creation of meaning and the piece of work is therefore transformative, acting on the social context, undermining the dominant discourse. As Justine Huppe writes regarding Quintane's books since Tomates, "Ses textes trouvent ainsi leur parfaite description dans celle que Christophe Hanna donne des 'dispositifs poétiques' […] Cet intérêt pour l'efficacité du texte est explicite chez Quintane" 50 .…”

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Poetic Sabotage and the Control Society

Wourm¹

2020

fixxion

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Poetic Sabotage and the Control Society

Wourm¹

2020

fixxion

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« La littérature seule ne peut pas grand-chose », ou comment penser une littérature politique (avec Nathalie Quintane)

Heck

2022

Acta Philologica

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The question of conceiving literature as a political statement is at the heart of Nathalie Quintane’s work. Her approach currently revolves around a pragmatic and pragmatist conception of the work of art as an experience, that is, thinking of literature in terms of use and effect. Th is paper considers how Quintane’s approach results in what can be qualified as a “contextual” understanding of literature, which imagines the ramifications of the text in real life. Discussed here is how Quintane takes a stand against the dominant idea of a literary work as an autonomous and closed object, underlining how such a secessionist vision deprives literature of its possibilities of action.

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L’insurrection qui vient par la forme

Cited by 2 publications

References 4 publications

Poetic Sabotage and the Control Society

Poetic Sabotage and the Control Society

« La littérature seule ne peut pas grand-chose », ou comment penser une littérature politique (avec Nathalie Quintane)

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