L'abri sous roche de Pont d'Ambon à Bourdeilles (Dordogne, France). Perpectives synthétiques/The rock shelter of Pont d'Ambon at Bourdeilles (Dordogne). Synthetic perspectives

Célérier, Guy

doi:10.3406/pal.1998.1138

Cited by 17 publications

(3 citation statements)

References 12 publications

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“…It possesses a lithic industry that clearly differs from the assemblages described above. The reduction sequence becomes more complex Célérier, 1994Célérier, , 1998La Borie-del-Rey in Blanquefortsur-Briolance, Lot-et-Garonne;Coulonges, 1963;Le Tensorer, 1981); Le Closeau, Rueil-Malmaison, Hautsde-Seine; Bodu, 1995), the presence of these pieces, associated with these reduction sequences, argues for an attribution to a final phase of the Azilian, which we can place at the beginning of the Late Dryas. Seven…”

Section: The Final Azilianmentioning

confidence: 94%

Lithic Weapon Elements in Western France (Brittany and Pays de la Loire) During the Late Glacial Period: A Proposed Chrono-Cultural Organization and Reduction Sequence

Naudinot¹

2009

palethnologie

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In recent years, new data on the Late Glacial period in western France have allowed us to develop a model of chronocultural evolution based on comparative lithic technology and lithic hunting weapon elements. This period can be divided in to four main phases: Early Azilian, Late Azilian, Final Azilian and Auvours-type industries. Though it presents some particularities, the western Late Glacial appears very similar to that which is well documented neighbouring regions.After a succinct presentation of these cultures, this article will focus on the lithic reduction sequences for the fabrication of weapon elements in order to identify and explain possible variations in the treatment of projectile points between the groups studied. This heterogeneity appears to be linked to a difference in approaches to raw materials and volumetric conceptions between the Late Azilian and Auvours-type industries rather than to a change in the status of weapon elements, which remain central to the production objectives.

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Section: The Final Azilianmentioning

confidence: 94%

Lithic Weapon Elements in Western France (Brittany and Pays de la Loire) During the Late Glacial Period: A Proposed Chrono-Cultural Organization and Reduction Sequence

Naudinot¹

2009

palethnologie

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“…3). La Guichaumerie présente une Célérier, 1994Célérier, , 1998La Borie-del-Rey, Blanquefortsur-Briolance, Lot-et-Garonne;Coulonges, 1963, Le Tensorer, 1981Le Closeau, Rueil-Malmaison, Hautsde-Seine, Bodu, 1995), la présence de ces pièces,…”

Section: L'azilien Finalunclassified

Les armatures lithiques tardiglaciaires dans l’Ouest de la France (régions Bretagne et Pays de la Loire) : proposition d’organisation chrono‑culturelle et chaîne opératoire de fabrication

Naudinot¹

2009

palethnologie

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“…It seemed that figurative art agency was no longer necessary for post-glacial societies, or that artists had lost the ability to depict the real world. This paradigm was maintained by Leroi-Gourhan (1971), but it started to breach with the identification of a number of figurative motifs on mobiliary items retrieved from French Azilian sites (Célérier 1988; Coulonges 1963; Deffarge et al 1975). This unexpected continuity in the production of figurative art was called Style V (Roussot 1990).…”

Section: Introductionmentioning

confidence: 99%

Filling the Void: Rock-art Continuity Over the Pleistocene–Holocene Boundary in Eastern Iberia

Ruìz¹,

Royo-Lasarte²,

Royo-Guillén³

et al. 2022

CAJ

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In this paper we study several panels with incised engravings, which have been discovered in recent years, from two shelters in the area of the River Martín (Teruel), Cañada de Marco and Los Borriquitos. They are of great scientific interest for several reasons. Firstly, because they represent an expansion of the Late Upper Palaeolithic engraving facies of Mediterranean Iberia, limited until now to ten sites. In these two new sites, these incised engravings are underlying Levantine and Schematic pictographs, and occasionally are interstratified with Levantine paintings, an exceptional fact which is published in its entirety for the first time. These stratigraphic relationships reflect continuity/change dynamics during the Pleistocene–Holocene transition and throughout the Holocene artistic cycle, topics which are crucial on a European scale. Finally, we have identified iconographic continuities between Epimagdalenian engravings and Levantine art, suggesting a possible link between these two graphic expressions. These findings may constitute solid support for the hypothesis about the pre-Neolithic origin of the exceptional Levantine art of the Iberian peninsula. In memoriam Ramiro Alloza

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L'abri sous roche de Pont d'Ambon à Bourdeilles (Dordogne, France). Perpectives synthétiques/The rock shelter of Pont d'Ambon at Bourdeilles (Dordogne). Synthetic perspectives

Cited by 17 publications

References 12 publications

Lithic Weapon Elements in Western France (Brittany and Pays de la Loire) During the Late Glacial Period: A Proposed Chrono-Cultural Organization and Reduction Sequence

Lithic Weapon Elements in Western France (Brittany and Pays de la Loire) During the Late Glacial Period: A Proposed Chrono-Cultural Organization and Reduction Sequence

Les armatures lithiques tardiglaciaires dans l’Ouest de la France (régions Bretagne et Pays de la Loire) : proposition d’organisation chrono‑culturelle et chaîne opératoire de fabrication

Filling the Void: Rock-art Continuity Over the Pleistocene–Holocene Boundary in Eastern Iberia

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